1) The Level and Oblique Tones of Modern-style Poetry
近体诗的平仄
2) On the Tonal Rule of Traditional Chinese Poems
谈古代诗歌的平仄
3) level and oblique tones
平仄
1.
They emphasized rhythms,level and oblique tones as well as word matching.
其诗作集中表现了感时伤事、思乡、惜别、人生无常的情感;讲求押韵、平仄、对仗,同时用典灵活自然,注重运用隐喻手法;另外,其诗作深受晚唐唯美主义诗风的影响,但崔致远和朴仁范则体现出淡雅、通俗直白、叙事与议论相结合的现实主义诗风。
2.
In this paper, Through a comparison in the language between their Zhuzhici and, that is, in the Level and Oblique Tones, rhyme, antithesis, etc, examine the of Zhuzhici\'s characteristics different from their recent poetry.
明代王象春的《济南百咏》和清代王初桐的《济南竹枝词》是众多济南竹枝词中影响较大的,本文通过对二者竹枝词与他们的近体诗在语言上,即在平仄、押韵、对仗等方面的比较,来考查竹枝词不同于近体诗的一些特点。
3.
The present study investigated the implicit learning of rules about poetry\' s level and oblique tones for the effect of instructions(rule-discovering,memorizing and appreciating) on subjects\' learning about the rhythmic patterns of poetry.
研究探讨诗歌平仄相对规则的内隐学习。
4) tonal pattern
平仄
1.
The four types of tonal patterns of the metrical verse of four five-character lines have five rules to go by.
五绝的四种格式的平仄具有二字音步、平仄交错、粘对联系、出仄对平和音步重音等五条规律可寻,并可以根据这五条规律推导出格律诗的十六种格式。
5) tonal patterns
平仄
1.
From a new perspective, this paper conducts an in-depth analysis of the internal structure of the poem, as well as its tonal patterns, figures, rhythms and images.
本文从一个全新的角度重新分析这首诗,分析深入到诗歌语言的内部结构,从诗作的平仄、音型、节奏、意象等四个方面入手进行认真的剖析,并揭示这四者与诗作表达的思想内容的密切关系,认为《登高》是内容与形式完美结合的典范。
6) The Study on ZhangJi s Jinti Poems
论张籍的近体诗
补充资料：近体诗
| 近体诗 中国与古体诗相对的诗体。 又称今体诗。指唐代形成的格律诗体。它由南朝齐永明时沈约等讲求四声、八病等声律、对偶的新体诗发展而来，至唐初沈佺期、宋之问时始定型，为唐以后常用的诗体。其字数、句数、平仄、对仗和押韵都有严格的规定，主要的类别有律诗和绝句，其中又各有五言、六言、七言之别（六言较少见）。绝句每首四句，有五绝和七绝之分；律诗通常每首八句，有五律和七律之别，十句以上的称排律或长律，偶有六句三韵的律诗，称为三韵律诗或小律。 |
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