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1)  tonal patterns in classical Chinese poetry
平仄律
1.
The thesis intends to have a primary discussion on the construction of metre of Chinese, referring to mainly three aspects: (1) anatomy about tonal patterns in classical Chinese poetry; (2) antinomy of the stress in modern Chinese; (3) .
本文试图对汉语的节律结构进行初步探讨,主要讨论三个问题:(1)“平仄律”的剖析;(2)“轻重音”的对立;(3)“弱重位”的确认。
2)  Ievel and oblique tones
声律平仄
3)  level or oblique tone rules and forms of classical poetic composition
平仄格律
4)  He Law of Level and Oblique Tones Reconsidered
"平仄律"质疑
5)  oblique-oblique-end-line
仄仄脚律句
6)  level and oblique tones
平仄
1.
They emphasized rhythms,level and oblique tones as well as word matching.
其诗作集中表现了感时伤事、思乡、惜别、人生无常的情感;讲求押韵、平仄、对仗,同时用典灵活自然,注重运用隐喻手法;另外,其诗作深受晚唐唯美主义诗风的影响,但崔致远和朴仁范则体现出淡雅、通俗直白、叙事与议论相结合的现实主义诗风。
2.
In this paper, Through a comparison in the language between their Zhuzhici and, that is, in the Level and Oblique Tones, rhyme, antithesis, etc, examine the of Zhuzhici\'s characteristics different from their recent poetry.
明代王象春的《济南百咏》和清代王初桐的《济南竹枝词》是众多济南竹枝词中影响较大的,本文通过对二者竹枝词与他们的近体诗在语言上,即在平仄、押韵、对仗等方面的比较,来考查竹枝词不同于近体诗的一些特点。
3.
The present study investigated the implicit learning of rules about poetry\' s level and oblique tones for the effect of instructions(rule-discovering,memorizing and appreciating) on subjects\' learning about the rhythmic patterns of poetry.
研究探讨诗歌平仄相对规则的内隐学习。
补充资料:必律律
1.象声词。形容狂风怒吼。
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