1) the rules of metre
平仄规则
2) level and oblique tones
平仄
1.
They emphasized rhythms,level and oblique tones as well as word matching.
其诗作集中表现了感时伤事、思乡、惜别、人生无常的情感;讲求押韵、平仄、对仗,同时用典灵活自然,注重运用隐喻手法;另外,其诗作深受晚唐唯美主义诗风的影响,但崔致远和朴仁范则体现出淡雅、通俗直白、叙事与议论相结合的现实主义诗风。
2.
In this paper, Through a comparison in the language between their Zhuzhici and, that is, in the Level and Oblique Tones, rhyme, antithesis, etc, examine the of Zhuzhici\'s characteristics different from their recent poetry.
明代王象春的《济南百咏》和清代王初桐的《济南竹枝词》是众多济南竹枝词中影响较大的,本文通过对二者竹枝词与他们的近体诗在语言上,即在平仄、押韵、对仗等方面的比较,来考查竹枝词不同于近体诗的一些特点。
3.
The present study investigated the implicit learning of rules about poetry\' s level and oblique tones for the effect of instructions(rule-discovering,memorizing and appreciating) on subjects\' learning about the rhythmic patterns of poetry.
研究探讨诗歌平仄相对规则的内隐学习。
3) tonal pattern
平仄
1.
The four types of tonal patterns of the metrical verse of four five-character lines have five rules to go by.
五绝的四种格式的平仄具有二字音步、平仄交错、粘对联系、出仄对平和音步重音等五条规律可寻,并可以根据这五条规律推导出格律诗的十六种格式。
4) tonal patterns
平仄
1.
From a new perspective, this paper conducts an in-depth analysis of the internal structure of the poem, as well as its tonal patterns, figures, rhythms and images.
本文从一个全新的角度重新分析这首诗,分析深入到诗歌语言的内部结构,从诗作的平仄、音型、节奏、意象等四个方面入手进行认真的剖析,并揭示这四者与诗作表达的思想内容的密切关系,认为《登高》是内容与形式完美结合的典范。
5) four tones of level and oblique
平仄四声
6) regulating level and oblique tunes
调平仄
1.
The narrow sense of stubborn saving may be divided into three conditions,which are the organic component for regulating level and oblique tunes and must be carefully dealt with and seriously applied.
律体诗是讲究格律的诗,调平仄是格律的的核心和灵魂,而调平仄必须兼顾拗救。
补充资料：平仄
| 平仄 指平声和仄声。平声即中古的平声，仄声指中古的上去入3声。中国旧体诗赋和骈文用字，平声和仄声相互调节，使声调和谐，富有音乐感。南朝永明诗体以及唐以后的格律诗和词，每句的平仄都有明确规定。在音韵学中，语音的变化规律常常与声调有关，所以平仄也被看作是与音韵学有关的术语。如中古全浊声母到近现代一律变成同部位的清声母，平声送气，仄声不送气。使用术语平仄，就比逐个声调叙述方便多了。 |
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参考词条