1) Regarding Poetry as Ci
以诗为词
1.
On the Meaning of "Regarding Poetry as Ci" by Su Shi;
苏轼“以诗为词”涵义综论
2.
The regarding poetry as ci is not only the change of artistic technique,but also the change ideas of ci.
“以诗为词”不仅是创作方法的更新,而且是词学观念和词学意识的改变。
2) Composing Ci as Poetry
以诗为词
1.
This paper puts two persons in the historical turning point from Huajian Ci to Composing Ci as Poetry to reveal the variations and development of subtle and concise Ci creation under this influence.
因此通过将两人放在由"花间词风"向"以诗为词"转变的词史转折中来进行比较,可以揭示出受此影响的婉约词创作的发展变化。
2.
So, "composing Ci as Poetry" not only is a composing technigue, but also a cultural phenomenon.
本论文试图将“以诗为词”这样一个历来属于词学范畴的命题，置放于诗文化心理的背景之下，借助新的审视角度，对这个命题作一次较为深入的探讨和阐述。
3) showing Ci as poetry
以词为诗
4) compose ci by rules of writing poems and prose
以诗文为词
5) A Personal View on "Treating Poem As Ci"
也谈"以诗为词"
6) putting poem into Ci
以诗入词
1.
By putting poem into Ci,Sushi had changed the traditional way of writing Ci and its developing tendency.
苏轼“以诗入词”改变了传统词的创作道路和发展方向 ,就其自身原因来说是他的性情品格与词体的特性不相契合。
补充资料：春词二首（乐府诗题作陌上桑）
【诗文】：
菀菀黄柳丝，濛濛杂花垂。
日高红妆卧，倚对春光迟。
宁知傍淇水，騕褭黄金羁。
翳翳陌上桑，南枝交北堂。
美人金梯出，素手自提筐。
非但畏蚕饥，盈盈娇路傍。
【注释】：
【出处】：
全唐诗：卷144_14
菀菀黄柳丝，濛濛杂花垂。
日高红妆卧，倚对春光迟。
宁知傍淇水，騕褭黄金羁。
翳翳陌上桑，南枝交北堂。
美人金梯出，素手自提筐。
非但畏蚕饥，盈盈娇路傍。
【注释】：
【出处】：
全唐诗：卷144_14
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条