1) sorrow for object essence
知物哀
2) mono-no-aware
物哀
1.
Based on the analysis of mono-no-aware s aesthetic view and language expression,it reveals the far-reaching influence of Buddhist thought over the Japanese literature.
通过对"物哀"美学观和语言表达的分析,揭示了佛教思想对日本文学的深远影响。
3) sorrow for objects
物哀
1.
As the beautiful pearl in the artistic theories of each country,"the sense of objects"and"sorrow for objects"respectively has the historical development of itself.
作为中日两国古典艺术理论的优秀结晶,"物感"与"物哀"本身各有其历史发展的过程。
2.
This article discusses the formation and development of aesthetic standards in the "Sorrow and Sorrow for Objects"The theory and the practice from sorrow of"Sorrow Poem",sorrow for objects of "The Tale of Genji"to sorrow for objects essence Benjuxuanchang delineates the characteristics of Japanese classical literature and sorrow aethetic
本文着重阐述“哀”与“物哀”审美观的形成与发展 ,从万叶歌的“哀”、《源氏物语》的“物哀”到本居宣长的“知物哀”等文学理论与实践中揭示日本古典文学感伤悲美的的独特
3.
There are many similarities from form to content between“sorrow for objects”and“sympathetic spirit”.
“物哀”是日本古代重要文学思潮,并影响着日本人的精神世界,成为其民族审美文化的象征;“物感”是中国六朝时期重要的文论。
4) Mononoaware
物哀
1.
Xuanxue of Wei and Jin Dynasties and Japanese Literature Thoughts of Mononoaware;
魏晋玄学与日本物哀文学思潮
5) sentimentality
[英][,sentɪmen'tæləti] [美]['sɛntəmɛn'tælətɪ]
物哀
1.
This feeling of life and seasons made the Japanese form their particular aesthetic consciousness,which lies at the heart of sentimentality,vanity and silence,mysterious profundity.
这种生命感和季节感感悟使日本人萌生出独具特色的审美意识,这种审美意识以"物哀"、"空寂"、"幽玄"等等范畴为中核,表现于文艺等方面。
6) Grief Touching Beauty
物哀美
补充资料：不知言不知
【不知言不知】
谓意识所受，意识所了，则可言知；若实意识未受未了，则不可言知。是名不知言不知。
谓意识所受，意识所了，则可言知；若实意识未受未了，则不可言知。是名不知言不知。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条