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1.
Sorrow and Sorrow for Objects;
“哀”与“物哀”——论日本古典文学的感伤悲美
2.
Substance Sadness and Substance Feeling --The Comparison of Chinese and Japanese Aesthetic Judgment;
物哀”与“物感”——中日审美范畴之比较
3.
On Styles of KawabataYasunari s Works:Beauty,Sadness and Emotionalness;
美 悲苦 物哀——川端康成创作浅谈
4.
A Discussion on the “mono-no-aware” aesthetic of Yasunari Kawabata s Works;
试论川端康成作品中的“物哀”之美
5.
An Aesthetic Interest that Regards the Sad as the Beautiful --A Tentative Analysis of Mononoawale in Japanese Literature;
以悲为美的审美情趣——日本文学理念“物哀”试析
6.
The Connotative Reverse:The Change of the Subject and Object Relationship in the Theory Development of "The Sense of Objects" and "Sorrow for Objects";
隐含的对立——试析“物感”与“物哀”理论发展中主客体关系之流变
7.
The sorrow & beauty shakings of traditional literature--The grief-touching beauty spread and inherited by the novel THE SNOW COUNTRY;
传统文学悲与美的震撼——以《雪国》传承的“物哀”美为中心
8.
Reading "The Fu of Grief" in "Wenxuan;
所遇无敌物,焉得不速老——读《文选》“哀伤赋”
9.
“Mononoaware” in Classical Literary Theory of Japan;
日本古典文艺理论中的“物之哀”浅论
10.
On the Relationship between"the Sadness"in the Seventh Paragraph of "Tsurezuregusa" and the Thoughts of Zhuang Zi
《徒然草》中的“物之哀”与庄子思想
11.
Mona Monroe mourned the moral morass of the monster.
门罗夫人为这个陷入道德困境的怪物而哀伤。
12.
On the damp land, I guide verse and the object of Ai Hao.
在潮湿的土地上,我引领诗歌和哀嗥的物体。
13.
Characters inform, argue, amuse, outrage, argue through the ebb and flow of dialogue.
人物的喜怒哀乐都要通过对话的变化来展现。
14.
A Study on the Fern Medicinal Resources from Ailaoshan Mountain National Nature Reserve,Yunnan,China;
云南哀牢山国家级自然保护区蕨类植物资源