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1)  sorrow culture
物哀文化
2)  Ailao Culture
哀牢文化
3)  Ailao Cultural Times
哀牢文化时期
4)  aiwen
哀文
1.
The paper focuses on the difference and subde relation between leiwen (writings eulogizing a dead) and aiwen (lament) based on the examination of them since Sui Dynasty and regards leiwen and ai-wen in the light of Selected Readings from Zhaoming Literature .
藉对隋朝以前诔文与哀文的考察,以《昭明文选》的诔文与哀文作为切入点,分析二者存在的区别及微妙的联系。
5)  mono-no-aware
物哀
1.
Based on the analysis of mono-no-aware s aesthetic view and language expression,it reveals the far-reaching influence of Buddhist thought over the Japanese literature.
通过对"物哀"美学观和语言表达的分析,揭示了佛教思想对日本文学的深远影响。
6)  sorrow for objects
物哀
1.
As the beautiful pearl in the artistic theories of each country,"the sense of objects"and"sorrow for objects"respectively has the historical development of itself.
作为中日两国古典艺术理论的优秀结晶,"物感"与"物哀"本身各有其历史发展的过程。
2.
This article discusses the formation and development of aesthetic standards in the "Sorrow and Sorrow for Objects"The theory and the practice from sorrow of"Sorrow Poem",sorrow for objects of "The Tale of Genji"to sorrow for objects essence Benjuxuanchang delineates the characteristics of Japanese classical literature and sorrow aethetic
本文着重阐述“哀”与“物哀”审美观的形成与发展 ,从万叶歌的“哀”、《源氏物语》的“物哀”到本居宣长的“知物哀”等文学理论与实践中揭示日本古典文学感伤悲美的的独特
3.
There are many similarities from form to content between“sorrow for objects”and“sympathetic spirit”.
“物哀”是日本古代重要文学思潮,并影响着日本人的精神世界,成为其民族审美文化的象征;“物感”是中国六朝时期重要的文论。
补充资料:吡啶烷基衍生物蒸馏残余物氯化苄季铵化物
CAS:97375-31-0
中文名称:吡啶烷基衍生物蒸馏残余物氯化苄季铵化物
英文名称:Pyridine, alkyl derivs., distn. residues, benzyl chloride-quaternized
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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