1) reinterpreting tradition
重叙传统
1.
The purpose of the author of the present paper is to describe the true meaning of Confucian and Christian ethics in the context of contemporary Chinese culture and society, exploring efficient ways to overcome the contradictory features of both of them, and emphasizing the acceleration of their convergence through reinterpreting traditions and social practices.
本文旨在阐明儒教伦理与基督教伦理在中国现代文化语境和社会场景中的确切含义,探讨克服儒教伦理与基督教伦理之间对立特征之有效途径,强调要从重叙传统和社会实践两个层面推动儒教伦理与基督教伦理的融合。
2) narrative tradition
叙述传统
1.
Story :the general narrative tradition of investigative reports;
故事化:调查性报道的一般叙述传统
3) narrative tradition
叙事传统
1.
His poetry inherited the narrative tradition of Chinese poetry with strong modernism and self image, which was against the popular "theory of verve" but in accordance with poetic view held by Zhao Zhixin.
蒲松龄的诗歌继承了中国诗歌的叙事传统,但现实主义精神过强,自我形象很突出,与当时风行的"神韵说"背道而驰,却契合了"神韵说"的反对者赵执信的诗论。
2.
The Chinese narrative tradition formalized in per-Qin times .
中国的史传叙事传统形成于先秦，由于先秦时期的史传叙事和文学叙事处于共存不分的的状态。
4) traditional narration
传统叙事
1.
In Chinese traditional narration,characters,time,and plot are closely connected.
在中国传统叙事中,人物、情节、时间是三位一体的。
5) traditional narrator
传统叙述人
1.
The novel and movie made a research of traditional narrator in various angles and depth through the different narrative points of view provided by the narrators with different identity--"I" narrator and "It-He" narrator,which reflects the advantages of narrative media of their own.
本文从叙事学的角度,分析了《法国中尉的女人》小说和电影的故事层,并以此为基础比较分析了小说叙事和电影叙事在叙述方式上的区别:小说和电影分别采用不同身份的叙述人——叙述人"我"和叙述人"它—他"提供的叙事视角,对传统叙述人进行了不同角度、深度的反思,各显自身叙事媒介的优长。
6) the narrative style and narrative tradition
叙事方式和叙事传统
