1) combination of poem and painting
诗画合一
1.
The thesis talks about the development and ways of the combination of poem and painting in traditional Chinese painting and enplains the combination is a good art form of traditional Chinese painting, which we should learn and use.
本文通过对传统中国画诗画结合的历史发展过程和诗与画内外部结合的方式等的分析,进一步阐释了诗画合一是传统中国画的优秀形式,这一极富民族性的艺术形式值得我们学习和借鉴。
2) the agreement of poems and paintings
诗画一律
1.
The headstream and esthetic connotation in the agreement of poems and paintings;
“诗画一律”说的源流及其美学内涵
3) one body of poem and painting
诗画一体
1.
Of the Ideas of Poem and Painting from China and West,"one body of poem and painting"and "different nature of the two" ——the two ideas are always considered opposite to each other.
中西诗画观中的“诗画一体”和“诗画异质”向来被认为是相互对立的,其实两者提出的时代背景和入手角度以及文化传统的各自不同,二者均是建立在符合自己的时代风调和民族文化品格的基础之上,内容呈现出差异性也是在所难免的。
4) the musing of poem and drawing
诗画融合
1.
Also the musing of poem and drawing in ancient china was related to it to some extent.
本文以陶渊明、王维的山水诗为例,从美学角度分析了初期山水诗及王维山水诗当中的道气与禅味,并分析了中国语境中诗画融合的问题。
5) the combination between poem and painting
诗画结合
补充资料：点绛唇 墨本水仙 读画斋丛书本元草堂诗
【诗文】：
缟袂啼香，为谁一滴春心碎。淡黄深翠。不似当时态。东洛缁尘，依旧交情耐。空憔悴。玉人何在。细雨疏烟外。
【注释】：
【出处】：
缟袂啼香，为谁一滴春心碎。淡黄深翠。不似当时态。东洛缁尘，依旧交情耐。空憔悴。玉人何在。细雨疏烟外。
【注释】：
【出处】：
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条