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1.
The Integration of Poetry and Painting Shows Similar Aesthetic Features:Inspecting the Issues about the Same Aesthetic Characteristics of Poetry and Painting on the Base of WANG Wei s Poetry;
诗画相融 曲意盎然——从王维诗歌看“易”之三名与诗画一律性问题
2.
The headstream and esthetic connotation in the agreement of poems and paintings;
诗画一律”说的源流及其美学内涵
3.
On the Similarity Poems and Paintings and Wonderful Workmanship--On Shu Slui s Paintings;
诗画本一律 天工与清新———谈苏轼的绘画
4.
Both Poems and Paintings Are Originally the Same.They are Natural,Neat and Clean--Su Shi′s Theory about Painting;
诗画本一律 天工与清新——苏轼的绘画理论
5.
Painting,Calligraphy and Poem: Three Kinds of Artistic Uniqueness Achieved by Prof.Qigong s;
一生三绝画书诗——论启功先生的题画诗
6.
Wen Yiduo: the Combination of Poetry,Painting and Music--On Wen Yiduo and the Beauty of Paintings inside His New Poems;
闻一多:诗画歌吟——闻一多与新诗绘画美关系述略
7.
The Model of Poetry and Painting s perfect combination--Discuss the art of WangWei s poetry and painting s combiona;
诗画完美结合的楷模——王维诗画合一艺术浅议
8.
Poetical Malody and Picturesque Mood--A Brief Amalysis of Nationalizing China s Classical Guitar Art;
诗一般的旋律 画一般的意境——浅析“中国古典吉他艺术民族化”音乐之美
9.
This piece is noted for the way it blends technique, poetry, vividness and musical sound in the course of the rise and fall of the melody.
此曲最大的特点是递升递降的旋律发展手法,诗情、画意、曲韵达到高度的统一与和谐,
10.
a line that does not scan
一行不合韵律的诗句
11.
She painted me a picture. In exchange, I wrote her a poem.
她画一幅画给我,我作一首诗给她作为交换。
12.
A Sorrowful Melody and Poetic Images in the Picture --The Artistic Characteristics on the Novels Written by Bulin;
悲的旋律 画的诗篇——论蒲宁小说的艺术特色
13.
There is painting in his poetry, and poetry in his painting
诗中有画,画中有诗
14.
Musical Sense and Painting Image ──the aesthetic interest of ancient poems?evolution into metrical poems from the perspective of the relation between the mind and objects;
乐感与画意——从心物关系看古诗到律诗的审美趣味转变
15.
Its more a poem than a picture
与其说是一幅画,不如说是一首诗
16.
With inscriptions on Chinese paintings, the belief at least becomes manifest, that the poetic of a work of visual art needs some verbal explication.
在画上题诗,至少说明了一点,画里面的诗意有用文字表达的必要。
17.
An Approach to Poems on Paintings in the Yuan and Ming Dynasties;
元明题画诗文初探——兼及“诗画合一”形式的现代继承
18.
Replacing Regulated Verses with Pre-Tang Poetry:Trend of Regulated Verse Composition in Prosperous and Middle Tang Dynasty;
“以古为律”——盛中唐律诗创作的一个倾向