1.
The Concept of tasting poem and drawing as a unit and the people of Songs aesthetic pursue for "Shangyi;
诗画一体的观念与宋人尚意的美学追求
2.
On the Pioneering Contribution of Poems with Paintings in the Tang Dynasty to the Stylistic Rules and Layout;
唐代题画诗对题画诗体例的开创之功
3.
Pictures In Poems ,Poems In Pictures And Aesthetic Experience;
“诗中有画”、“画中有诗”与审美体验
4.
Painting,Calligraphy and Poem: Three Kinds of Artistic Uniqueness Achieved by Prof.Qigong s;
一生三绝画书诗——论启功先生的题画诗
5.
he developed the tradition of combining poetry, calligraphy with painting.
他发展了融诗、书法及绘画于一体的传统。
6.
The Spatial Consciousness in the Combination of Time and Space in Chinese Poetry and Painting;
时空合一体的空间意识在中国诗画中的定格
7.
From"Regarding Essay as Poem"to"Regarding Poem as Painting":A Study on the Arising of Literati Painting in the North Song Dynasty;
从“以文为诗”到“以诗为画”——北宋士人画体的形成
8.
Wen Yiduo: the Combination of Poetry,Painting and Music--On Wen Yiduo and the Beauty of Paintings inside His New Poems;
闻一多:诗画歌吟——闻一多与新诗绘画美关系述略
9.
The Model of Poetry and Painting s perfect combination--Discuss the art of WangWei s poetry and painting s combiona;
诗画完美结合的楷模——王维诗画合一艺术浅议
10.
On the Similarity Poems and Paintings and Wonderful Workmanship--On Shu Slui s Paintings;
诗画本一律 天工与清新———谈苏轼的绘画
11.
The Integration of Poetry and Painting Shows Similar Aesthetic Features:Inspecting the Issues about the Same Aesthetic Characteristics of Poetry and Painting on the Base of WANG Wei s Poetry;
诗画相融 曲意盎然——从王维诗歌看“易”之三名与诗画一律性问题
12.
On the Integration of "Poetry,Calligraphy,Painting and Seal" in Chinese Painting--Also on the Important Function of Huizong Emperor of the Song Dynasty(Ⅱ)
关于中国绘画“诗书画印”一体化进程的考察——兼论宋徽宗的重要作用(下)
13.
She painted me a picture. In exchange, I wrote her a poem.
她画一幅画给我，我作一首诗给她作为交换。
14.
There is painting in his poetry, and poetry in his painting
诗中有画,画中有诗
15.
Discuss on the Development and Influence of the Existing-m-a-place of the Poems And Paintings in the Central Region of Wu in the Middle Period of the Ming Dynasty;
论明中叶吴中诗画同体的发展及影响
16.
Both Poems and Paintings Are Originally the Same.They are Natural,Neat and Clean--Su Shi′s Theory about Painting;
诗画本一律 天工与清新——苏轼的绘画理论
17.
Its more a poem than a picture
与其说是一幅画,不如说是一首诗
18.
With inscriptions on Chinese paintings, the belief at least becomes manifest, that the poetic of a work of visual art needs some verbal explication.
在画上题诗，至少说明了一点，画里面的诗意有用文字表达的必要。