Zi Jun and Juan Sheng s feudal idea in Shang Shi still is a heavy load on their neck that pulverizes their love dream.

The purpose of this academic dissertation is to indicate that "Shang Shi"is an artistic works highly mixed realism together with symbolism.

The opera ShangShi was composed by Mr Shi Guangnan in 1981 in memory of the centenary of Lu Xun’s birth It is one of the ipmportant achievements in 1980s’chinese national opera compositionThe full content of Shang Shi is divided into three parts: preface, text and epilogue.

Unexceeded Mind Fence of the Male——A Re-interpretation of Regret for the Past;

A kind of unscramble about the creative target of Regret for the Past;

Multi-dimensional Understanding of Language Leads to Successful Translation——The Hermeneutic Approach to Yang Hsien-yi and Gladys Yang s English Version of Lu Xun s Novel Regret for the Past;

The Modern Expounding of Regret for the Past;

Holding Your Hands,but Who will Live With Me Over a Lifetime——Trying to Compare Ideological Similarities and Differences between Zhongshendashi and Shangshi;

A Dialogue between the Living and the Dead:On Lu Xun s Shangshi;

Tragedies of Fate and Personality —— a comparison between Divorce and Lamenting over the Dead;

The paper analyses lamenting over the dead from the narrative style of "miniature dialogue" and considers it to have the inherent dialogic quality based on polyphony.