Case of marriage is one of the relatively centralized scopes which reflect not only inherit and evolvement of foreign citizen of Chinese origin marriage custom but also some conflict and amalgamation between Chinese and local marriage customs.

Qiludeng describes an ideal home in patriarchal society by means of the characterization of two harmonious pairs of wife and concubine——Kong Huiniang and Bing Mei;Xue Quanshu and Wang Quangu,which shows the psychological distortion and helplessness of women under feudal marriage system and expresses feudal-age males common desire for ideal homes represented by the author.

Sale of marriage,“marring concubine”are the feudal marriage patterns in Lao She s works,which demonstrates that male-centered culture is the root of the formation of female dependent personality even non-personality phenomenon.

The deformed image of a group of women abused by feudal marriage was presented in her works,which reveals the cannibalistic nature of Chinese feudal code of ethics and feudal marriage,further embodying the deep-sighted cultural quality and grim critical quality.