Qiludeng describes an ideal home in patriarchal society by means of the characterization of two harmonious pairs of wife and concubine——Kong Huiniang and Bing Mei;Xue Quanshu and Wang Quangu,which shows the psychological distortion and helplessness of women under feudal marriage system and expresses feudal-age males common desire for ideal homes represented by the author.

Sale of marriage,“marring concubine”are the feudal marriage patterns in Lao She s works,which demonstrates that male-centered culture is the root of the formation of female dependent personality even non-personality phenomenon.

The deformed image of a group of women abused by feudal marriage was presented in her works,which reveals the cannibalistic nature of Chinese feudal code of ethics and feudal marriage,further embodying the deep-sighted cultural quality and grim critical quality.

Young people pursued new-style marriage which is freer and more .

Through the love experiences of Birkin and Ursula, the hero and the heroine of the book, the writer probes into an ideal marriage mode and the style of his hiterary creation.

Based on the data from Songzi, this paper analyses intergenerational property transfer mode in various marriage forms and its forming mechanism.

Family was the main space for ancient Roman women\' activities,the promotion of their status presented firstly in the change of marriage form and the status as a wife and mother,which brought more and more happiness and harmony in ancient Roman family life.