1) Briefly on Expressive Painting from Figure
论意笔人物画写生
2) traditional Chinese figure painting
意笔人物画
1.
In traditional Chinese figure painting, artist usually prefers black and white to other colors.
传统的意笔人物画 ,主要以水墨为主 ,用色很少。
3) freehand figure painting
写意人物画
1.
As Chinese has a long history, Chinese freehand figure paintingmust have very generous culture and humanism lneaning.
中华民族悠久漫长的文明史造就了博大精深的华夏文明，置根于这片沃土之上的中国写意人物画也必然蕴含丰富的人文内涵。
4) Realistic Brushwork Figure Painting
写实工笔人物画
5) Chinese freehand figure painting
中国意笔人物画
1.
Taking into account the social and historical backgrounds and focal debates on Chinese art, this paper points us to the important historical facts during the process of Chinese freehand figure paintings toward modernization, evaluates its theory and practice in the development of its content, forms and skills, and studies the main schools and representative personages in different phases.
结合20世纪的百年中国社会发展历程背景,以及每阶段中国美术论争的焦点问题,介绍有关中国意笔人物画现代化历程中的重要变革史实,评析中国意笔人物画在内容、形式和技艺发展中的理论和实践,对20世纪中国意笔人物画在不同历史阶段(具体分开创性试验期、探索性发展期和多样化繁荣期三个阶段)中的主要流派及其代表人物,进行分别阐述。
2.
The article makes an analysis of the background condition of the modernization of Chinese freehand figure painting from two aspects: the externalrestriction and selfdiscipline of the art s development.
20世纪中国意笔人物画走向现代化的背景,主要应从艺术发展的他制性和自律性两个方面进行分析。
补充资料：笔断意连
笔断意连 作国画或写毛笔字时，点划虽断，而笔势相连续，叫“笔断意连”或“意到笔不到”。张彦远称张僧繇、吴道子作画：“离披点划，时见缺落，此虽笔不周而意周也。”唐太宗赞王羲之字“观其点曳之工，裁成之妙，烟霏露结，状若断面还连。”
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条