1.
On Reasons Why the Chinese Freehand Figure Painting Changed in the 20~(th)Century;
20世纪中国意笔人物画变革的动因
2.
Cheng Shizeng: Forerunner of the Modern Change of Chinese Freehand Figure Painting of 20th Century;
陈师曾对20世纪中国意笔人物画的贡献
3.
He was good at landscape, flower and bird and figure paintings in both free sketches and fine brush work.
他山水、花鸟、人物皆精，工笔写意俱佳。
4.
The Analysis of the Character Portrayals and the Imago for Saul Bellow s Protagonists;
索尔·贝娄笔下人物形象及其意象解读
5.
On the Display of Freehand Brushwork in the Elaborate-style Figure Painting;
浅议“写意性”在工笔人物画中的表现
6.
The Development of Freehand Brushwork of Meticulous Figure Painting in Modern Transformation
论工笔人物画在现代转型中的写意性发展
7.
Hence, his characters'search for meanings in life is equated with the artist's creative processes.
因之，他笔下人物寻求人生意义的过程，也就是艺术家创造的过程。
8.
Simple Description,Strong Feeling--A Brief Study of Lily in Terms of Its Language arts in Characterization;
淡淡的笔触,浓浓的情意——浅谈《百合花》塑造人物形象的语言艺术
9.
Conversion and Transition--Aesthetic taste of traditional Chinese realistic figure painting of 1980s;
转换与过渡——20世纪80年代工笔人物画的审美意识嬗变
10.
"There's big business to be made," Sollozzo said. "I mean millions for everybody at the top level.
“有一大笔生意要做，”索洛佐说，“我的意思是说最高层人物每人可捞到好几百万。
11.
From Gukaizhi to Chenlaolian. -an essay on the forms of imagery of "Gongbi" figure painting ,from the starting point of object to the consciousness of subject.;
从顾恺之到陈老莲——论工笔人物画从客体出发的意象表现到主体意识的自觉
12.
It is mutually Beneficial and reciprocal to do this deal with the Japanese.
与日本人做这笔生意，互利互惠。
13.
The merchant overreached me in a business dealing.
那个商人在一笔生意上诈骗我。
14.
"an ancient art, Chinese painting falls into three categories - portrait, landscape, flower-and-bird; and two styles meticulous and freehand."
作为一门古老的艺术，中国画包括人物，山水和花鸟三大类;两种风格:工笔和写意。
15.
His characters remain very popular today.
他笔下的人物至今依然为人们所喜爱。
16.
Describing People through scenery--Briefly on the Scenery Description in“Hunter’Notes”;
以景写人——《猎人笔记》景物描写略论
17.
Small Person and Marvelous Writing Skill;
小人物 大手笔——《红楼梦》中几个小人物的形象塑造
18.
Styli can get lost, and because of this (and the nerd factor), younger users are often put off by the use of a stylus.
原因在于，手写笔有可能会丢失，而且很多人根本不愿意使用手写笔。