1.
On Reasons Why the Chinese Freehand Figure Painting Changed in the 20~(th)Century;
20世纪中国意笔人物画变革的动因
2.
Cheng Shizeng: Forerunner of the Modern Change of Chinese Freehand Figure Painting of 20th Century;
陈师曾对20世纪中国意笔人物画的贡献
3.
On the Display of Freehand Brushwork in the Elaborate-style Figure Painting;
浅议“写意性”在工笔人物画中的表现
4.
The Development of Freehand Brushwork of Meticulous Figure Painting in Modern Transformation
论工笔人物画在现代转型中的写意性发展
5.
Conversion and Transition--Aesthetic taste of traditional Chinese realistic figure painting of 1980s;
转换与过渡——20世纪80年代工笔人物画的审美意识嬗变
6.
The lines of the face and hands are decisive and hard,
在人物面部、手部，画家用笔果断、明确，
7.
A Rough Study on Civilian Tendency about the Chinese Gongbi Paintings of Song Dynasty;
浅析宋代工笔人物画中的平民化趋势
8.
Consistent Cultivation of Mind Makes Miracle--Meticulous Painting of Figures;
耕心一贯化出神——工笔人物画线描谈
9.
The Artistic Charm of the Lines--Views on the Line in Paintings About Person with Writing Brush;
线条的魅力——谈工笔人物画中的线
10.
The Culture Linguistic Context of the Traditional Brush Stroke Figural Painting;
传统工笔人物画兴衰的文化语境解读
11.
New Thought Research of Traditional Chinese Realistic Figure Painting Curriculum Teaching;
工笔重彩人物画课程教学新思维研究
12.
On the Diversity of Contemporary Meticulous Portraits in an Artistic Language
论当代工笔人物画艺术语言的多样性
13.
An Analysis of the Factors Influencing the Creation of Modern Fine Brush Figure Painting
试析影响当代工笔人物画创作的因素
14.
From Gukaizhi to Chenlaolian. -an essay on the forms of imagery of "Gongbi" figure painting ,from the starting point of object to the consciousness of subject.;
从顾恺之到陈老莲——论工笔人物画从客体出发的意象表现到主体意识的自觉
15.
"an ancient art, Chinese painting falls into three categories - portrait, landscape, flower-and-bird; and two styles meticulous and freehand."
作为一门古老的艺术，中国画包括人物，山水和花鸟三大类;两种风格:工笔和写意。
16.
Spirits in the Moving of Writing Brush──On Mr. Hua Qimin s Stroke Language of the Figure Painting;
笔歌墨舞见精神——论华其敏先生人物画的笔墨语言
17.
His painting style combined fine brushwork with freehand brushwork, traditional Chinese skills with Western skills, and the work of the Chinese literati with folk paintings.
他把工笔与写意结合起来，把中国传统画法与西洋画法结合起来，把文人画与民间绘画结合起来。
18.
The Characteristic and Modern Development of Traditional Realistic Painting s Line Drawing;
论传统工笔人物画线的特性及现代发展