1.
On Reasons Why the Chinese Freehand Figure Painting Changed in the 20~(th)Century;
20世纪中国意笔人物画变革的动因
2.
Cheng Shizeng: Forerunner of the Modern Change of Chinese Freehand Figure Painting of 20th Century;
陈师曾对20世纪中国意笔人物画的贡献
3.
On the Display of Freehand Brushwork in the Elaborate-style Figure Painting;
浅议“写意性”在工笔人物画中的表现
4.
The Development of Freehand Brushwork of Meticulous Figure Painting in Modern Transformation
论工笔人物画在现代转型中的写意性发展
5.
On the Necessity of Pluralistic Development of Contemporary Chinese Meticulous Brushwork Figure Painting;
论当代中国工笔人物画多元发展之必然性
6.
The Analysis about Two Creative Trends of Contemporary Brushworks
试析当代中国工笔人物画创作的两种趋势
7.
Some Ideas about the Development of Styles and Techniques of Traditional Chinese Meticulous Drawing of Figures
浅谈中国传统工笔人物画风格及技法的演变
8.
His painting style combined fine brushwork with freehand brushwork, traditional Chinese skills with Western skills, and the work of the Chinese literati with folk paintings.
他把工笔与写意结合起来，把中国传统画法与西洋画法结合起来，把文人画与民间绘画结合起来。
9.
"an ancient art, Chinese painting falls into three categories - portrait, landscape, flower-and-bird; and two styles meticulous and freehand."
作为一门古老的艺术，中国画包括人物，山水和花鸟三大类;两种风格:工笔和写意。
10.
Forms and Strokes of Traditional Chinese Painting:On Realistic Painting and Freehand Brushwork;
中国古代绘画的形和笔——写实和写意谈
11.
ANALYSIS ON VISUAL ELEMENTS OF FREEHAND BRUSHWORK IN CHINESE TRADITIONAL PAINTING;
对中国工笔画视觉元素写意性的理解
12.
On the National Aesthetic Consciousness from the Development of the Chinese Figure Painting;
从中国人物画的发展看民族审美意识
13.
A Rough Study on Civilian Tendency about the Chinese Gongbi Paintings of Song Dynasty;
浅析宋代工笔人物画中的平民化趋势
14.
The Artistic Charm of the Lines--Views on the Line in Paintings About Person with Writing Brush;
线条的魅力——谈工笔人物画中的线
15.
Hand and Heart Express Mind--On Drawing Chinese Expressional Portrait;
心手相应 取象达意——略述中国写意人物画写生
16.
A Discussion about the Application and Expression of the Imaginary Color for the Traditional Chinese Realistic Painting;
论中国传统工笔画“意象色彩”的运用与表现
17.
Variation and Development of Chinese Painting Theory of Shape and Spirit;
意得神传 笔神形似——浅析中国画论的形神论
18.
Image Nature and Value Orientation of Chinese Realistic Figure;
中国写实人物画的意象性特征与价值取向