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1)  French poems
法文诗歌
1.
This paper discusses, through Paul Claudel s search of harmony on text form, some visual forms in writing and typography of some French poems.
从法国诗人克洛岱尔对文本形式和谐的追求探讨了部分法文诗歌中在书写和排版上表现出来的视觉形式,分析其符号学象征功能以及东方文化的影响,也指出它们在诗歌价值上的局限。
2)  Poetry techniques
诗歌诗法
3)  Chinese Poetry in Brunei
文华诗歌
1.
The New View in Opening up Virgin Soil——The characteristics of Chinese Poetry in Brunei from 《The Chinese Collect in Brunei》;
文华诗歌是个独立的创造个体,具有特殊的与众不同的艺术个性,呈现出具有独立创作精神的自我意识与世界意识。
4)  scholar song poetry
文人歌诗
1.
The creation of upperclass scholar song poetry in the Han Dynasty was mainly limited to the members of the loyal families.
汉代上层文人歌诗的创作以王室成员为主,他们以楚地特有的声乐系统“楚声”来创作歌诗,形成其特有的悲情特征;平民文人歌诗创作,与上层文人歌诗的悲情主调相一致,然而它将《诗三百》单纯的、尚与诗章的特定场景和情感主题有所游离的“兴”,转化为与抒情主体的行为、心理感受相联的某种景观,从而使情感的抒发又有了一个特定的、感性化的空间。
5)  poetical culture
诗歌文化
1.
After nearly one thousand years of accumulation, traditionalpoetical culture of Yongjia, which was gradually absorbed and enhanced by its native poets, held an important position in the circleof poets in late Song Dynasty, especially with the rise of Wenzhou poets.
经千百年积淀的永嘉传统诗歌文化,不断地被本土诗人们吸收、弘扬。
6)  poem text
诗歌文本
1.
An appreciator of a poem must pay more attention to the poem text as well as the world.
诗歌欣赏者的首要任务是通过欣赏诗歌文本,结合自己的审美经验,构建诗美,不仅要还原诗人想表述的诗美,而且还要重建诗美。
2.
Compared with the former textbooks, the new edition has a great change in both the forms of the arrangement and also the content with a more reasonable selection of the poem texts.
这套教材与以往教材相比,在编排形式和编排内容上都有了很大的变化,特别是在诗歌文本的选择上也更加趋于合理化。
补充资料:法文
【法文】
 (术语)说佛法之文句也。
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