1) poetry itself
诗歌本体
1.
Since its emergence, China s new poetic criticism had contained two fundamental contradictions: one between modern Western poetics and traditional Chinese poetics, and the other between enlightenment for national salvation and poetry itself.
中国现代新诗理论批评从诞生起 ,自始至终存在着两对最基本的矛盾 :一是西方现代诗学与中国传统诗学的矛盾 ,二是坚持启蒙救亡与坚持诗歌本体的矛盾。
2) the poetic ontology
诗歌本体论
3) Poem ontology
诗歌本体思想
4) ‘ontology'of poetry
诗歌的本体论
5) poetry selected works
诗歌选本
1.
The writing works showed their special function;poetry selected works produced great thrust and influence as a kind of universal literary and cultural phenomenon;volume works were repeatedly printed and published which possessed lasting and inform storage in the Huang Ting-jian s poems communication.
黄庭坚诗歌在明代不同的文化空间广泛传播,书法作品在黄庭坚诗歌传播中显示了特殊的功能;诗歌选本作为一种普遍的文学现象和文化现象,在黄庭坚诗歌传播中产生了重大的驱动力和影响力;集本翻刻是比较通行而又便于实施的传播行为,在黄庭坚诗歌传播中具有长久性和信息存储价值。
补充资料:本体论
本体论 ontology 哲学术语。在西方哲学中,指关于存在及其本质和规律的学说。“本体”一词源于拉丁文on(存在、有、是)和ontos(存在物)。17 世纪德国经院学者第一次使用本体论一词,并将它解释为形而上学的同义语。在中国古代哲学中,本体论称为本根论,指探究天地万物产生、存在、发展变化根本原因和根本依据的学说。 |
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