1.
Poetry Standard and Moral Consciousness--One of the Investigations of New Poetry since the Beginning of the New Age;
诗歌本位与道德直觉——新时期以来诗歌考察之一
2.
DEVELOPMENT OF INDIVIDUALISM IN POETRY;
诗歌个我本位的张扬——戴望舒前期诗歌另论
3.
On Relation between Poem and Official Rank Standard;
中国古代诗歌文化中“官本位”意识初探
4.
To Know the Status of WEI Ying-wu s Poems of Five-word Ancient Style in Poetic Criticism of the Ming Dynasty from the Anthology of Tang Poetry;
从唐诗选本看韦应物五言古诗在明代诗歌批评中的地位
5.
a group of 2 or 3 syllables forming the basic unit of poetic rhythm.
由两三个音节组成的诗歌韵律的基本单位。
6.
Omnibearing Combination of "Sound,Video,Movement":Taiwan New Supertext Net Poems;
“声、像、动”全方位组合:台湾新兴的超文本网络诗歌
7.
Function of Rhyme and Its Ontological Position in Chinese Poetry;
韵的功能及韵在汉语诗歌中的本体地位
8.
The Role and Status of Zhong Rong s Poetry Essentialism in Poetry Classified;
吟咏情性——钟嵘诗歌本质论在《诗品》中的地位和作用
9.
Expression feeling: essential in The Poetical Categories,the position and Function of Zhong Rong s poetical;
“吟咏情性”:钟嵘诗歌本质论在《诗品》中的地位和作用
10.
A Comparison between the Standards and the Effectiveness in the Works of Nine-leaf Poets and Mainstream Poets;
九叶诗派与主流诗歌的艺术本位及其艺术效用之比较
11.
A Hermeneutic Approach to Poetry Translators' Position--A Case Study of the Five Translation Versions of Wooing and Wedding in the Book of Poetry
诗歌译者地位的阐释学浅析——介评诗经《关雎》五个英译版本
12.
A Comparison Between Chinese Poem and Japanese Poem;
中国诗歌“意境”与日本诗歌“姿”的比较
13.
Basic Poetry Theory and Development of the Chinese Poetry;
诗歌基本理论问题与我国诗歌的发展
14.
The influences of Chinese classical poems on Japanese poetry;
中国古典诗歌对日本古代诗歌的影响
15.
The Stylistic Role of Marked Theme in Poetry and Strategies for E/C Translation;
标记主位在诗歌文本中的文体功能及英汉翻译对策
16.
Qian Zhongshu s Research on Lu You s Poetry;
钱钟书的陆游诗歌研究述略——文学本位研究的范例与启示
17.
To Discuss Liu Kezhuang s Ideas about Poem Creativity and Their Status on Poetics History;
论刘克庄的诗歌创新观及其诗学地位
18.
Different Poesy Attitudes of "Anthologies" to "3rd Generation Poems";
“选本”对“第三代诗歌”的不同诗学态度