1) musical poems
声诗观
1.
The author studied many documents thoroughly to reveal the spread of musical poems of the Tang Dynasty in the Song Dynasty, and analyzed the singing methods along with singing occasions.
遍检《全宋诗》、《全宋词》及诸多笔记、话本等文献,考察唐代声诗在宋代的传播情况,对其歌唱事实作了辨证;并从接受史的角度,分析了宋人声诗观的理论内涵。
2) Shengshi poetry
声诗
1.
The Distinguishment between Wenren Ci Poetry and Shengshi Poetry in Tang Dynasty;
唐代文人词与声诗关系之辨
2.
The advent of Shengshi poetry represented by qiyan poems fulfilled the needs for music lyrics.
盛唐延续了初唐的去音乐化运动,古风中的乐府和歌行盛行,造成了音乐消费的空缺,以七言绝句为代表的声诗大量涌现以满足对声乐歌词的需求,这种现象一直延续到中唐时代,直到词体形式的代兴,才渐次出现了词体取代声诗的现象,因此,盛唐绝句声诗的兴盛可以看作词体发生的前夜。
3) Shengshi
声诗
1.
On the Origin of Ci poems from the Angle of the Relationship among Quzi Ci Shengshi and Yanyue in Sui,Tang and the Five Dynasties.;
从隋唐五代燕乐与曲子词、声诗的关系论词的起源
4) poetry rhythm
诗声
5) view of poetry
诗观
1.
This article, mainly based on Holderlin s version including poem, thesis, letter and fiction of philosophy style, narrates and discusses Holderlin s view of poetry.
本文主要以荷尔德林的诗歌、论文、书信与哲学体小说《许佩里翁》为文本依据,对荷尔德林的诗学观点予以述评;并比照荷尔德林的诗观,从中国现代诗歌的内涵与形式两个层面,对中国现代诗歌缺乏审美特性的现状予以解析。
6) voice poetic theory
声音诗学
补充资料：声诗
1.乐歌。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条