1.
Guo Maoqian s Notion of Musical Poem and the Compilation of Collection of Folk Songs and Ballads;
郭茂倩的声诗观与《乐府诗集》的编纂
2.
On the Shaping of Musical Poems in the Song Dynasty and Its Source Influence from the Tang Dynasty;
唐诗在宋代的歌唱及其对宋人声诗观的影响
3.
Analysis of Liu Xie's View on the Official Conservatory Songs
诗声合一 中和之响——刘勰乐府观探赜
4.
Comic dialogue actors often recite a poem before a performance to attract an audience.
相声演员在正式表演之前都要念定场诗来吸引观众。
5.
A Study of the Ecological Perception of Tyutchev’s Nature Poetry;
现代生态文学的先声:丘特切夫自然诗的生态观念
6.
The Compatibility of "Artistic Form"and "Romantic Charm" -On Poetic Concept of Hu Yinglin;
“体格声调”与“兴象风神”的兼容共生——论胡应麟的诗学观念
7.
The favourable applause which had greeted the opening of his prologue was still thrilling through his vitals;
序诗一开始，曾博得了观众的亲切掌声，这掌声现在还在他的五脏六腑里回荡。
8.
A Critical Study of "Poetic History" View and the Nature of "Poetic History" in the War Between the Song Dynasty and Western Xia.;
“诗史”观辨正及宋夏战事诗的“诗史”性质
9.
Loftiness:the aesthetic standpoint of poetics of Jiao Ran in the Tang dynasty;
皎然诗歌诗论中“高”的诗学美学观
10.
Interpreting "Transformation of Poem Style" -Concepts of Poet History in Chinese Poetics;
释“诗体正变”——中国诗学之诗史观
11.
A Study of Zheng Gu s Outlook on Life, Poetics View and Poetry Image;
郑谷的人生观、诗学观及其诗歌意象
12.
Through its polyphony, its blend of genres and the scrutiny that the act of writing subjects itself to, the book recalls German Romanticism's magnificent concept of a universal poetry.
通过多声部的叙事，体裁的交叉和内省的写作方式，让人想起德国浪漫派关于世界诗的宏伟观念。
13.
He boomed out the poem.
他高声朗读那首诗。
14.
He read the poem aloud.
他高声朗诵那首诗。
15.
Painting is silent poetry, and poetry is a speaking picture.
画是无言的诗，诗是有声的画。
16.
Painting is silent poetry, and poetry is a speaking picture.--Thomas Carlyle
画是无言之诗，诗是有声之画。——席勒
17.
Poets write of "airy voices."
诗人们写过“空中之声”这类诗句。
18.
"John," she said in a weak voice, "poem, new one."
“约翰，”她说，声音软弱无力，“诗，新的诗。”