1) Meiping
梅瓶
1.
Thought on the design art of Meiping in ancient China;
中国古代梅瓶的设计艺术思想
2) The Golden Lotus
金瓶梅
1.
On the Integrating Writing Characteristic of The Golden Lotus;
论《金瓶梅》的集撰式创作特点
2.
The Narrative Function of Songs in The Golden Lotus and Its Significance in the History of Fiction Development;
《金瓶梅》唱曲叙事功能在小说发展史上的意义
3.
The Mediocre People s Depression and Philosophers Sadness ——The Philosophical Meditation on the Golden Lotus;
庸众的沉沦与哲人的悲哀——《金瓶梅》读札
3) The Golden Lotus
《金瓶梅》
1.
Compare the depiction of death in The Golden Lotus and A Dream of Red Mansions;
《金瓶梅》与《红楼梦》的死亡叙述之比较
2.
If Dreams Cannot Be Very Effective in the Book,I d Rather Not Write Them——On the Narrative Function of Dreams in The Golden Lotus;
“与其不能为全书关锁,毋宁绝笔不写梦”——论《金瓶梅》中梦的叙事功能
3.
The Explanation of Love and Sex between "The Dreams of Red Mansion" and "The Golden Lotus";
对《红楼梦》和《金瓶梅》中情与性的解读
4) Jin Ping Mei
《金瓶梅》
1.
A Continued Textual Research on the Writer of the Preface to Jin Ping Mei-A Pearl Player in Dongwu;
《金瓶梅》序作者“东吴弄珠客”续考
2.
Bits of Reflections After Reading the Cherished Auspicious Edition of Jin Ping Mei Carefully Preserved in Shanghai Library;
上海图书馆藏崇祯本《金瓶梅》观后琐记
3.
On the Influence of the Stereotyped Eight-part Essay Grammatical Theory in the Ming & Qing Dynasties on Mr. Zhang s Annotated Jin Ping Mei;
明清八股文法理论对张批《金瓶梅》影响试论
5) JIN PING MEI
金瓶梅
1.
Discussion on the Unreality of LI Pinger Married to Jiang Zhushan in "JIN PING MEI";
论《金瓶梅》中李瓶儿招赘蒋竹山的非现实性
2.
Comments on the Study on Jin Ping Mei and Pornography Novel by WANG Ru-mei;
追踪蹑祖索书影扬帆泛海鉴真知——评王汝梅教授《金瓶梅与艳情小说研究》
3.
On alteration in Jin Ping Mei of Chong Zhen edition;
关于崇祯本《金瓶梅》的补笔
6) in Ping Mei
《全瓶梅》
补充资料：梅瓶
梅瓶 一种小口、短颈、丰肩、瘦底、圈足的瓷瓶。以口小能插梅枝得名。宋时称“经瓶”，作盛酒用器，造型挺秀、俏丽，器体高且偏瘦，肩部下斜，足部长而近于直线，底部较小，且变化多样，常有棱角分明的转折。宋元时期各地瓷窑均有烧制，以元代景德镇青花梅瓶最为精湛。元代梅瓶还有带座的，座身为镂花窗，边沿为六菱形圈足，瓶身和瓶座可活动装卸。明代梅瓶，造型雄健、敦厚；口部圆浑厚实，没有明显的线角转折；肩部上抬，腹部以下呈垂直状，有的微向里收。有和白釉梅瓶肩部有青花楷书“内府”二字，当属宫内用器。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条