1) Jinpingmei
金瓶梅词话
1.
The Textual Reseach of Sentimental Characteristics in Shanyangpo of Jinpingmei;
《金瓶梅词话》中[山坡羊]的声情辨证
2.
Analysis of the Phrase "Huangmaoheiwei" in Jinpingmei;
《金瓶梅词话》中“黄猫黑尾”释
3.
Studies on “Jinpingmeicihua”,a novel with part in verse and customs in Huaishang;
《金瓶梅词话》与淮上的风土人情
2) Jin Ping Mei Ci Hua
金瓶梅词话
1.
A Comparative Study of the Sentence with the Character Shi in Jin Ping Mei Ci Hua,Camel Xiang Zi and A Surrounded City;
《金瓶梅词话》与《骆驼祥子》《围城》中“使”字句比较研究
2.
On the compound verbs in Jin Ping Mei ci hua (《金瓶梅词话》);
论《金瓶梅词话》的复合动词
3.
From Jin Ping Mei Ci Hua tothe Dreams of the Red Mansion——The Improvement of Literary Taste Human Sentiment Novels and Significant Development of Novel Creation
从《金瓶梅词话》到《红楼梦》——世情小说文化品格的跃升与小说创作的跨越式发展
3) Words and Expressions of Jinpingmei
金瓶梅词话
1.
On Prefix LAO in Words and Expressions of Jinpingmei;
《金瓶梅词话》名词的前缀“老”
2.
On nouns of orientation in Words and Expressions of Jinpingmei;
论《金瓶梅词话》表方向的方位名词
4) Jin Ping Mei Ci Hua
《金瓶梅词话》
1.
Inquiries about Distribution of Prep.-phrase Syntax in Jin Ping Mei Ci Hua;
《金瓶梅词话》中介词短语的句法分布情况
2.
A Study of the“Brain”of Jin Ping Mei Ci Hua;
《金瓶梅词话》“头脑”考
3.
From Jin Ping Mei Ci Hua to Erotic Fictions——A Distributary and Lopsided Change in the Development of Fiction History;
从《金瓶梅词话》到艳情小说——一次小说史演进中的分流与畸变
5) Words and Expressions of Jinpingmei
《金瓶梅词话》
1.
On Substantival Suffixes in Words and Expressions of Jinpingmei;
论《金瓶梅词话》名词的后缀
2.
On the compounding nouns in Words and Expressions of Jinpingmei;
论《金瓶梅词话》的复合名词
6) Jin Ping Mei with Parts in Verse
《金瓶梅词话》
1.
Inquiries about the Times of the Accreditation of the Crown Prince in Jin Ping Mei with Parts in Verse;
《金瓶梅词话》中“立东宫”时代探考
2.
The model of Ximen Qing,the leading hero of Jin Ping Mei with Parts in Verse ,should be Emperor Wuzong of the Ming Dynasty because of three reasons:1.
《金瓶梅词话》中西门庆的原型就是明武宗 :作者依据易学理论及历史事实等 ,设计了西门庆的年龄 ,意在暗射明武宗 ;西门达、西门京良的命名 ,暗喻了“大庆法王” ,即明武宗 ;西门庆之“藏春坞” ,实为明武宗“豹房”的对译 ;《金瓶梅》中“会中十友”的情节并非虚构 ,它来源于宦官张忠自称与明武宗等为“十弟兄”的史实。
补充资料：梅瓶
梅瓶 一种小口、短颈、丰肩、瘦底、圈足的瓷瓶。以口小能插梅枝得名。宋时称“经瓶”，作盛酒用器，造型挺秀、俏丽，器体高且偏瘦，肩部下斜，足部长而近于直线，底部较小，且变化多样，常有棱角分明的转折。宋元时期各地瓷窑均有烧制，以元代景德镇青花梅瓶最为精湛。元代梅瓶还有带座的，座身为镂花窗，边沿为六菱形圈足，瓶身和瓶座可活动装卸。明代梅瓶，造型雄健、敦厚；口部圆浑厚实，没有明显的线角转折；肩部上抬，腹部以下呈垂直状，有的微向里收。有和白釉梅瓶肩部有青花楷书“内府”二字，当属宫内用器。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条