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1)  Kitchen God Worshipping
祭灶
2)  Kitchen God's Day
祭灶节
3)  To offer sacrifices to the God of Kitchen and pray for Blessings
祭灶祈福
4)  Ji
1.
A Study of the Pronunciation and Meaning for “Ji”(祭) and “Si”(祀);
“祭”、“祀”音义探源
5)  sacrificial dress
祭服
1.
The sacrificial dress in the Book of Songs was studied, in which the sacrificial dress, (man’s) sacrificial dress, the female sacrificial dress were further investigated.
通过研究《诗经》中的祭服,对其中描写的“祭服”、“男子祭服”、“女子祭服”几个方面进行了初步探讨,特别是联系当时相关资料,对其中某些服饰作了新解,从而更进一步认识先秦时代的服饰礼制、祭服形制、用途,以及当时的一些风俗时尚、森严的服饰等级制度和人们的审美观念。
6)  sacrificial rites
祭祀
1.
On the base of campestral investigation,the author mainly studies the characteristics and relations between Fengshui and sacrificial rites on the old lounge bridges in the east of Fujian province,and points out that the appearing signal of the old lounge bridges mixed together the bridges and the local village culture by means of their formal signal and their symbolic expression.
在田野调查的基础上,主要考察闽东廊桥在风水与祭祀两个方面的种种表征,指出廊桥凭借自身外显的形式符号,借助象征语言将桥梁与村落文化融为一体;廊桥既具现实的利民渡涉的作用,又反映了闽东乡民观念中的趋福避祸的心理,具有丰富的文化内涵。
2.
The words in Chuci come from the sacrificial rites of the chief of a tribe in the region of Yuan river or Xian river.
《九歌》是一组具有国家祀典性质的祭歌,用于大型、重要的祭祀活动。
3.
With historical development,ethnic Manchu developed into four social groups,who lived in different from each other geographical and cultural conditions,and thus their sacrificial rites underwent different changes in content and form.
不同类型的满族群体在相异的地理环境和文化的影响下 ,其民间祭祀的内容和形式也发生了不同的变化 ,表现出满族民间祭祀的稳定性和变更性相统一的文化特点。
补充资料:祭灶节
祭灶节

    中国岁时节令礼仪。时在夏历腊月二十三日或二十四日。是日夜,送灶神。在北方,民间用南糖、关东糖、糖饼及清水草豆先行祭灶。祭毕,将祭神像揭下焚之。至除夕日再行接灶供奉。送灶禁妇女主祭。在南方,送灶之礼类同,但仪式颇繁。50年代以后,祭灶节不再流行。
   
   

民间信奉的灶君

民间信奉的灶君

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