1) Flowers in the Mirror
《镜花缘》
1.
Relationship between "Flowers in the Mirror" and the Six Great Novels of Ming and Qing Dynasty;
琐谈《镜花缘》与明清六大小说的关系
2.
Flowers in the Mirror and Book of Mountains and Seas;
《镜花缘》和《山海经》
3.
From the Imagination of Others to Self Mirror Image:The Inheritance and Development of the Overseas Legends in Flowers in the Mirror
从他者想象到自我镜像——谈《镜花缘》对殊方异域传说的继承与发展
2) The Mirror and Flowers
《镜花缘》
1.
The Mirror and Flowers in the Context of Chinese Poetic Wisdom;
试析中国诗性智慧语境下的《镜花缘》
2.
A Moral Reading of the "Comity" and "Contention" in the "Kingdom of Gentility" of The Mirror and Flowers;
《镜花缘》"君子国"里"让"与"争"的道德解析
3.
Li Ruzhen, a novelist in the Qing Dynasty with profound knowledge of Confucianism and Taoism, displays his deep influence by the Taoist ideas in the novel The Mirror and Flowers.
清人李汝珍于儒、释、道无所不窥,在《镜花缘》中表现出他深受道教观念的影响,而立善修德是其思想核心所在。
3) Jing Hua Yuan
《镜花缘》
1.
In Jing Hua Yuan,Li Nüzheng s ideal examinations in the women s examinations are as follows:the government should choose officials not according to the eight-part essay but to choose talents according to poems.
《镜花缘》中的天朝女试是李汝珍理想的科举:不以八股取士,而以诗赋选才且不论官职,考生博学多才,考官清廉识才,考规宽厚优遇,充满人性化的色彩。
2.
The novels of talent and learning is a particular novel genre, and the representative works are Yan Shan Wai Shi、 Yin Shi、 and Ye Sou Pu Yan, of which Jing Hua Yuan has the highest art value and thought value.
才学小说是清代中期产生的一个比较特殊的小说流派,它以《野叟曝言》、《蟫史》、《燕山外史》、及《镜花缘》这四部小说为代表,其中以《镜花缘》的艺术价值和思想价值最高。
4) Jing Huayuan
《镜花缘》
1.
The Raise of Women Sense——Discussing Women s Liberation Sense in the Novel Jing Huayuan;
女性意识的高扬——《镜花缘》女性解放思想之探讨
2.
This article studies on the two masterpieces, "Dream of the Red Chamber" and "Jing Huayuan", which highly advocate women sense.
本文以清代小说中高扬女性意识的两部杰作《红楼梦》《镜花缘》为研究对象,运用社会性别的理论,在简要梳理了明清小说中女性意识发展轨迹后,从三个方面对两部作品的女性意识进行较为深入的比较。
5) Jinghuayuan
镜花缘
1.
Discussion of Woman Consciousness in Jinghuayuan;
对《镜花缘》女性意识的审视
2.
A Brief Analysis on the Methods of Jinghuayuan Quoting Mythology from Shanhai Scriptures;
《镜花缘》引用《山海经》神话手法浅析
3.
Li Ruzhen has wide connections with scholars of Yangzhou School and his novel \%Jinghuayuan(Flowers in the Mirror)\% exhi.
李汝珍与扬州学派的学者有广泛的联系 ,《镜花缘》中以学问为小说的特征和反封建、反理学的思想倾向 ,都与作者李汝珍受扬州学派影响有
6) Jing Hua Yuan
镜花缘
1.
The Essence of "Deifying"Has Been Misread——The review of the woman notion in Jing Hua Yuan;
“神化”的实质是“误读”——对《镜花缘》中妇女观念的再认识
2.
Using comparative research method, this text, from writing reason, theme, and writing method, expounds the similarities between Gulliver s Travels and jing hua yuan, and through author s different thoughts and difference in writing, it also shows us their differences.
本文运用平行研究的方法论述了《格列佛游记》与《镜花缘》的异同。
补充资料：《镜花缘》
| 《镜花缘》 中国清代长篇小说 。作者李汝珍，字松石 ，直隶大兴（今属北京市）人。全书100回，以秀才唐敖、林之洋、多九公3人出海游历各国及唐敖之女小山寻父的故事为线索，描写了几十个国家的独特风光，奇风异俗，野草仙花，奇人异事。作者基于《山海经》等书的材料，发挥了丰富的想象力，使这部小说容量庞大，景象繁杂，结构独特，思想新颖。作品颂扬了女性的聪明才智，肯定女子在社会中的重要位置。作者让“女儿国”中的男人穿裙治家，女人穿靴治国，显示出追求男女平等的心愿。出于对封建官场贪婪专横、尔虞我诈的不满，创造出一个“君子国”，刻意描绘出一个官民平等、礼尚往来的理想化社会。作者以辛辣讽刺的手法揭露了表面满腹学识、实则不学无术，假斯文真吝啬的“白民国”、“淑士国”的儒林。还活灵活现地给各种品行恶劣的人画了像，“犬封国”、“豕喙国”、“无肠国”等，皆极尽讽刺挖苦之能事。作者运用了夸张、比喻、衬托、对比、对照、借代等多种手法，引人入胜。但小说刻画人物的性格较差，在描写德才兼备的女性时只偏重于各种知识的炫耀，人物形象性不足。尤其后半部累赘冗，失去了小说应有的魅力。
|
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条