1.
Investigating the Flowers in a Mirror--A Thorough Analysis of the Predestined Relationship of the Flowers in a Mirror;
镜中看花——《镜花缘》思想艺术摭拾
2.
The Empty Nature of Mirror and Flower,Doubtlessness Resulting From the Enlightenment--Taoism thought in "Romance of Mirror and Flower";
镜花本空相,悟彻心无疑——《镜花缘》的道教思想再探
3.
A Discussion on "Jing Hua Yuan"and Taoism Doctrine;
试论《镜花缘》与道教“谪仙修道”母题的因缘
4.
Irony in Gulliver s Travels and Flowers in the Mirror;
《格列佛游记》与《镜花缘》中的反讽
5.
Textual Research of Birds, Beast, Herbs and Foreign Countries in the Flower in the Mirror;
《镜花缘》中的鸟兽草木及海外异国考
6.
Relationship between "Flowers in the Mirror" and the Six Great Novels of Ming and Qing Dynasty;
琐谈《镜花缘》与明清六大小说的关系
7.
LI Ru-zhen Allegory and Consciousness:Redefinition of Jing Hua Yan;
李汝珍的自寓与觉悟——《镜花缘》新论
8.
The Mirror and Flowers in the Context of Chinese Poetic Wisdom;
试析中国诗性智慧语境下的《镜花缘》
9.
A Moral Reading of the "Comity" and "Contention" in the "Kingdom of Gentility" of The Mirror and Flowers;
《镜花缘》"君子国"里"让"与"争"的道德解析
10.
A Brief Analysis on the Methods of Jinghuayuan Quoting Mythology from Shanhai Scriptures;
《镜花缘》引用《山海经》神话手法浅析
11.
The Moral Issues of "The Kingdom of Gentleman" in Jin Hua Yuan;
《镜花缘》中“君子国”的道德问题
12.
Transformation of Complaint to Jocularity--A Tentative Analysis of Li Ruzhen "sPlayful Psych" in His Novel The Mirror and Flowers;
不满化为谐趣——李汝珍《镜花缘》“游戏心态”探析
13.
The Reflection of the Self-image--To Analyze the Images of Others in Jinghuayuan;
自我形象的映照——《镜花缘》中的“他者”形象透视
14.
Female Characters in Flowers and Mirrors in Light of Wang Guowei s Idea of Aesthetic Education;
从王国维人格美育思想探析《镜花缘》女性形象
15.
A View of Female Ideals in Male-dominant Discourse of the Qing Dynasty Based on the Novel Jing Hua Yuan;
从《镜花缘》看清代男权话语中的女性理想
16.
A Work which Describes Overseas Trade in Qing Dynasty?--Flower in the Mirror;
一部反映清代海外贸易信息的佳作——《镜花缘》
17.
Flowers in the Mirror and Gulliver s Travels: A Comparative Study from the Perspective of Children s Literature;
从儿童文学视角比较《镜花缘》和《格列佛游记》
18.
An analysis of the alien images of the novel Experiences In Foreign Countries;
千幻万化 难离其宗——《镜花缘》的异国形象分析