1) block printing
雕版印刷
1.
When China entered the Song Dynasty, ‘‘the Thirteen Classics’’, as the general term of Confucian classics, were completely established, and were closely connected with the block printing which came to the golden age.
时至宋世,作为儒家经典合称的“十三经”完全确立,并与进入黄金时代的雕版印刷事业紧紧相连。
2.
The widely using of block printing had had a great influence upon the structure and the pattern of Chinese Character.
雕版印刷的广泛应用 ,给汉字的结构和体势带来了深刻的影响 ,使汉字的书体特征发生了重大变化 ,并最终促使了印刷体的形成。
2) woodblock printing
雕版印刷
1.
The author argues that the copyright of woodblock printing in imperial China had three features: occasional protection,local arrangements,and material ownership.
首先揭示个体出版者如何在地方政府的帮助下维护其版权,其次介绍古代民间的几种版权管理实践,然后指出中国古代雕版印刷的版权与其物理载体——书版紧密联系,最后探讨了形成这些版权特征的因素。
2.
The issue of pre-modern Chinese woodblock book printing runs is related to the technical characteristics of woodblock printing,book output,market size,production cycle,business model,book circulation and so forth.
古籍印数关系到传统雕版印刷的技术特性、书籍产量、市场大小、生产周期、生产经营模式、流通状况等方面。
4) carves version printing
雕版印刷
1.
This paper mainly discussed the publishing characteristics of carves version printing in Ti- betan temples and abundant cultural books and materials represented by the Buddhist Scriptures in Tibetan language.
文章主要论述了藏区寺院雕版印刷的出版特点和在寺院中结集完成的以藏文《大藏经》为代表的大量文化典籍,充分表明了藏区寺院为我国出版事业做出的卓越贡献。
5) engraving printing
雕版印刷
1.
In the Jin Dynasty and Five Dynasties,there appeared engraving printing in Hunan.
最迟至五代后晋时期,湖南已出现了雕版印刷;北宋时期,湖北省英山县布衣毕?发明了活字印刷术,为中国乃至世界印刷技术的跨越式进步做出了卓越贡献;元代湖北江陵县资福寺所刻的《金刚经注》,开辟了我国套版印刷的先河。
6) wood-block printing technique
雕版印刷术
1.
Based on library science,this article analyzed and discussed several questions needs to pay attention in the Chinese book-history research process,such as the debate on whirlwind binding between the new and old theory,the invention time of papermaking technique and the wood-block printing technique,and so on.
从图书馆学的角度出发,对中国图书史研究过程中需要注意的几个问题,如旋风装新旧说之争、造纸术和雕版印刷术的发明时间等予以了分析和探讨,最后提出了自己的倾向性的观点。
补充资料：雕版印刷
| 雕版印刷 将文字图像反刻在木板或其他质料的板上，整版加墨印刷的方法。又称雕版印刷术。约公元 7世纪产生于中国。一般工艺是，将木板锯成一页书面大小，水浸月余，刨光阴干，搽上豆油备用。刮平木板并用木贼草磨光，反贴写样，待干透，用木贼草磨去写纸，使反写黑字紧贴板面上，即可开刻。第一步叫发刀，先用平口刀刻直栏线，随即刻字，次序是先将每字的横笔都刻一刀，再按撇、捺、点、竖，自左而右各刻一刀；次为挑刀，据发刀所刻刀痕，逐字细刻，字面各笔略有坡度，呈梯形 ；挑刀完毕 ，用铲凿逐字剔净字内余木，名曰剔脏，再用月牙形弯口凿，以木槌仔细敲凿，除净无字处余木；最后，锯去版框栏线外多余的木板，刨修整齐，叫锯边。至此雕版完工，可以印刷。 |
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条