1) A print made from an engraved plate or block.
雕版印刷品，版画
2) engraving printed matter
雕版印刷品
1.
In the early twentieth century, a series of engraving printed matter were unearthed in Dunhuang sutra-hidden caves and these engraving printed matters were mainly made from 9th to 10th century, that is, the Late Tang Dynasty, Wudai Dynasty and the Early Song Dynasty.
20世纪初,敦煌藏经洞出土了一批雕版印刷品。
3) block printing
雕版印刷
1.
When China entered the Song Dynasty, ‘‘the Thirteen Classics’’, as the general term of Confucian classics, were completely established, and were closely connected with the block printing which came to the golden age.
时至宋世,作为儒家经典合称的“十三经”完全确立,并与进入黄金时代的雕版印刷事业紧紧相连。
2.
The widely using of block printing had had a great influence upon the structure and the pattern of Chinese Character.
雕版印刷的广泛应用 ,给汉字的结构和体势带来了深刻的影响 ,使汉字的书体特征发生了重大变化 ,并最终促使了印刷体的形成。
4) woodblock printing
雕版印刷
1.
The author argues that the copyright of woodblock printing in imperial China had three features: occasional protection,local arrangements,and material ownership.
首先揭示个体出版者如何在地方政府的帮助下维护其版权,其次介绍古代民间的几种版权管理实践,然后指出中国古代雕版印刷的版权与其物理载体——书版紧密联系,最后探讨了形成这些版权特征的因素。
2.
The issue of pre-modern Chinese woodblock book printing runs is related to the technical characteristics of woodblock printing,book output,market size,production cycle,business model,book circulation and so forth.
古籍印数关系到传统雕版印刷的技术特性、书籍产量、市场大小、生产周期、生产经营模式、流通状况等方面。
6) carves version printing
雕版印刷
1.
This paper mainly discussed the publishing characteristics of carves version printing in Ti- betan temples and abundant cultural books and materials represented by the Buddhist Scriptures in Tibetan language.
文章主要论述了藏区寺院雕版印刷的出版特点和在寺院中结集完成的以藏文《大藏经》为代表的大量文化典籍,充分表明了藏区寺院为我国出版事业做出的卓越贡献。
补充资料：雕版
即刻书。一作刻版。中国古代四大发明之一的印刷术即雕版印刷术。雕版创始于何时，明清以来，向有争论,多数学者认为始于唐代,也有人认为是始于隋代，行于唐世。史料关于唐代民间刻书卖书记载甚多，五代冯道令国子监雕印"九经"，是官府刻书之始。宋代雕版印书风行，有官府刻书、家塾刻书、书商刻书。元、明迄清，虽出现木活字、铜活字等多种活字印刷，雕版始终居于优势，并发展了彩色雕版套印技术 (见印刷、中国古代印刷史、版画)。
雕刻以杜梨木、枣木、红桦木等做版材。一般工艺是：将木板锯成一页书面大小,水浸月余,刨光阴干，搽上豆油备用。刮平木板并用木贼草磨光，反贴写样，待干透，用木贼草磨去写纸，使反写黑字紧贴板面上，即可开刻。第 1步叫"发刀"，先用平口刀刻直栏线，随即刻字，次序是先将每字的横笔都刻 1刀，再按撇、捺、点、竖，自左而右各刻 1刀，横笔宜平宜细,竖宜直,粗于横笔；次为"挑刀",据发刀所刻刀痕,逐字细刻，字面各笔略有坡度，呈梯形；挑刀完毕，用铲凿逐字剔净字内余木,名曰"剔脏"；再用月牙形弯口凿,以木槌仔细敲凿，除净无字处余木；最后，锯去版框栏线外多余的木板，刨修整齐，叫"锯边"。至此雕版完工，可以刷印。
雕刻以杜梨木、枣木、红桦木等做版材。一般工艺是：将木板锯成一页书面大小,水浸月余,刨光阴干，搽上豆油备用。刮平木板并用木贼草磨光，反贴写样，待干透，用木贼草磨去写纸，使反写黑字紧贴板面上，即可开刻。第 1步叫"发刀"，先用平口刀刻直栏线，随即刻字，次序是先将每字的横笔都刻 1刀，再按撇、捺、点、竖，自左而右各刻 1刀，横笔宜平宜细,竖宜直,粗于横笔；次为"挑刀",据发刀所刻刀痕,逐字细刻，字面各笔略有坡度，呈梯形；挑刀完毕，用铲凿逐字剔净字内余木,名曰"剔脏"；再用月牙形弯口凿,以木槌仔细敲凿，除净无字处余木；最后，锯去版框栏线外多余的木板，刨修整齐，叫"锯边"。至此雕版完工，可以刷印。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条