In the early twentieth century, a series of engraving printed matter were unearthed in Dunhuang sutra-hidden caves and these engraving printed matters were mainly made from 9th to 10th century, that is, the Late Tang Dynasty, Wudai Dynasty and the Early Song Dynasty.

When China entered the Song Dynasty, ‘‘the Thirteen Classics’’, as the general term of Confucian classics, were completely established, and were closely connected with the block printing which came to the golden age.

The widely using of block printing had had a great influence upon the structure and the pattern of Chinese Character.

The author argues that the copyright of woodblock printing in imperial China had three features: occasional protection,local arrangements,and material ownership.

The issue of pre-modern Chinese woodblock book printing runs is related to the technical characteristics of woodblock printing,book output,market size,production cycle,business model,book circulation and so forth.

This paper mainly discussed the publishing characteristics of carves version printing in Ti- betan temples and abundant cultural books and materials represented by the Buddhist Scriptures in Tibetan language.