Chinese drama history is not the same as Chinese Xiqu opera history, and the formation of the former is not the same as the formation of the latter.

The prohibition and destruction of certain dramas, as a particular revelation of cultural prohibition and destruction, reveals the complexity of cultural policies in different historical periods, and exerts a great influence upon the history of Chinese ancient dramas.

There is an interactive relationship between Bertolt Brecht and Chinese drama.

Through a comparison between Chinese drama and European drama as a continuation of Greek drama, this paper attempts to explore the distintive differences and characteristics in the process of their formation.

Allegory, language distinction, artistic atmosphere are the three core categories of Chinese drama.

Chinese operas are an important "cultural symbol" in the history of Chinese art development,and have been a leading role in the main stream.

Studies of traditional Chinese operas have achieved a lot in the early twentieth century, so they lay a solid foundation for the studies in the late twentieth century, and even for today.