1) TANG: members of the palace theater
皇帝梨园弟子
3) the cemetery of Qin Shi-huangdi
秦始皇帝陵园
4) Suiyuan Women Disciples
随园女弟子
1.
Suiyuan Women Disciples and Compose Demonstrate;
随园女弟子及其创作探论
5) emperor
[英]['empərə(r)] [美]['ɛmpərɚ]
皇帝
1.
The official pattern of the office of historiography has been in shape as early as the periods of Shunzhi emperor and Kangxi emperor,with the regular one full-time open and some special ones open occasionally.
清代帝王对史馆修史的干预更加全面,皇帝亲自确定修史项目,对史书修纂的内容进行全面指导,时常过问史馆的管理,并形成了史书修纂次第进呈御览的制度,一切仰承圣裁,保证了帝王意志在史馆内的贯彻执行。
2.
The status of Aguda as Dubojilie has been mistaken for emperor,leading to misunderstandings as to the founding date of Jin Dynasty in a systematic way.
都勃极烈在女真人眼里就是"皇帝",阿骨打称都勃极烈被说成是称皇帝,引发了金朝开国史的系统篡改。
3.
Heaven worshipping had been the monopoly of the clan leaders and no longer was shared justly just as in the primitive clan period, and was further evolved into the monopoly of feudal emperors.
魏晋时期,拓跋鲜卑祭天权力模式发生了急剧性的演化:从原始部落人人享有的平等祭天权转变为部落酋长的垄断,而后又转化为封建皇帝的独断。
6) A Textual Study of Master Sui Yuan s Girl Students
随园女弟子考述
补充资料:梨园
梨园 中国唐代训练乐工的机构。《新唐书·礼乐志》载:“玄宗既知音律,又酷爱法曲,选坐部伎子弟三百,教于梨园。声有误者,帝必觉而正之,号皇帝梨园弟子。”可知为玄宗时宫廷所设。梨园的主要职责是训练乐器演奏人员,与专司礼乐的太常寺和充任串演歌舞散乐的内外教坊鼎足而三。后世遂将戏曲界习称为梨园界或梨园行,戏曲演员称为梨园弟子。 |
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