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1)  hall [英][hɔ:l]  [美][hɔl]
殿
2)  palace [英]['pæləs]  [美]['pæləs]
宫殿
1.
Mingtang, Palace and the Methodological of Architecture History Research;
明堂、宫殿及建筑历史研究方法论问题
2.
Several types of traditional buildings — residential buildings, palace and temple were examined of their applications of environmental colors, which reflect the tradition and religious of Tibetan nationality and the geographic charaterstocs in highland.
本文通过对西藏传统民居、宫殿、寺庙建筑色彩的应用所进行的研究,使西藏从远古的“卡若文化”开始,经过几千年来的演变、继承与发展而形成的“世界屋脊”建筑,依其独特的地理环境、气候特点、宗教信仰、民族习俗而产生的造型和色彩,有很浓烈的高原特色。
3.
Weiyang Palace and Changle Palace still were used as the main palace, but the names were different at the different periodes and the utilization may be reduced than before.
十二座城门和宫殿建筑多被修缮、利用。
3)  buddhist hall
佛殿
1.
According to the known material,we can divide buddhist monastery which is popular in china into two types on the whole:one is the type represented by buddhist hall,the other is the one represented by buddhist pagoda.
根据已知的资抖 ,大体可将流行于中土的佛寺划分为以佛塔为主的和以佛殿为主的两种类型。
4)  Palace Examination
殿试
1.
The Additional Palace Examination,the non-palace examination and the recording of literatures in Qing s Imperial Examination;
清科举考试中的“补殿试”、“未殿试”问题
2.
On Abolishing what is Harmful and Centralization of Statepower:the Relation between Fushi of Tang Dynasty and the Five Dynasties and Palace Examination of Song Dynasty;
拯弊与集权:唐五代覆试及其与宋初殿试的关系
3.
From the Kanghsi years,the malpractice of stressing the calligraphy had already existed in the Qing Dynasty palace examination,it is similar with the situation in Daoguang time later.
清代殿试在康熙年间即存在偏重书法、抑文重字的弊端,这与道光以后的情况相似。
5)  Sanctuary [英]['sæŋktʃuəri]  [美]['sæŋktʃu'ɛrɪ]
《圣殿》
1.
On the Thematic Refining Techniques in Sanctuary;
简论《圣殿》主题的提炼技巧
2.
An Analysis of Men and Women in Sanctuary;
浅析《圣殿》中的男性与女性
6)  the imperial edition
殿本
补充资料:《秘殿珠林石渠宝笈》
《秘殿珠林石渠宝笈》

    中国清代宫廷收藏书画著录著作。原为《秘殿珠林》和《 石渠宝笈 》两部著作 ,以后又增补有《 秘殿珠林石渠宝笈》续编及《秘殿珠林石渠宝笈》三编。《秘殿珠林》24卷,张照、梁诗正、励宗万、张若霭等奉敕编 ,成书于乾隆九年(1744),分类著录乾隆内府各宫殿所藏道释书画。《石渠宝笈》初编24卷,成书于乾隆十年,专录内府藏非宗教题材书画,编纂方法和编纂者大体同《秘殿珠林》。《秘殿珠林石渠宝笈》续编,成书于乾隆五十八年,由王杰、董诰、彭元瑞、金士松等奉敕编,录初编未收及臣工新进的作品,体例依初编,唯不分等次。《秘殿珠林石渠宝笈》三编,稿本28函,120 册,由英和、黄钺、姚文田、吴其彦等奉敕编,收初、续编后入藏内府的 2000 余件作品。清代宫廷收藏极富,许多法书名画尽入内府 。 该书编纂虽为皇帝取阅赏玩方便,但却为后世保存了极为丰富的资料,对研究画史、考证法书名画的流传和鉴定,均有重要价值。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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