1) Poetics Subject
诗学主体
2) poetry view
诗学主张
1.
This article believes Yang Wanli s poetry view on combining Divinity and Sacredness is not only(including) theoretical meaning,but also containing profound cultural meaning.
杨万里“合神与圣”的诗学主张不仅以包融、博大的气度去对待诗歌传统,具有深刻的理论意义,而且还包涵着深厚的文化内涵,即在南宋严酷的党争中,杨万里将杜甫、李白傲视不屈的大无畏精神与苏、黄自我镇定的人生哲学结合于一身,从而形成了自己特有的处世方式,并影响其文学思想的建构。
3) dominant poetics
主流诗学
1.
Employing the theory of rewriting,this paper explores Ma Junwu s version of the Song of the Shirt and comes to the conclusion that Ma Junwu,based on the dominant poetics and personal political ideology in the target language,rewrites the source text.
运用改写理论探究马君武的《缝衣歌》译本,表明马氏基于目标语"主流诗学"和个人"政治意识"对原文本进行了改写,从而拓宽了译本研究的视角,并为译者在翻译实践中采用变通策略提供理论依据。
2.
Literary system in which translation functions is controlled by three main factors, which are professionals within the literary system, patronage outside the literary system and the dominant poetics.
翻译作为对原文的重写受到译者本身、意识形态以及主流诗学因素的制约。
4) poetics theme
诗学主题
1.
This paper tries to sum up the poetics theme through seeing about the comments of Tao Yuan ming\'s poems, to explore the inner contact between the comments of Tao Yuan ming\'s poems and the poetics construction of Song Dynasty, to study the aesthetic purport.
本文拟通过考察宋代的陶渊明诗歌评论,总结这一评论所集中体现的若干重要的诗学主题,探讨宋人的陶诗评论与宋代诗学建构的内在联系,研究宋人的陶诗评论所体现的宋代诗学总体美学旨趣。
5) the poetry subject
诗歌主体
1.
The disenchantment of the poetry in the 1990s is linked to that of the poetry subject in poetry writers\' poetry position.
1990年代诗歌的"失魅",与诗歌写作者在诗学立场上对诗歌主体"祛魅"密不可分。
6) poem-subject
诗性主体
1.
The poem-subject is very important.
诗性主体理应是人之存在最重要的结构,它既存在于和各种主体相关联的结构之中,又超越和凌驾于它们之上。
2.
The poem-subject is the most important part in the subject.
诗性主体是主体性之中最重要的因素,既存在于和各种主体相关联的结构之中,又超越和凌驾于它们之上。
补充资料：《诗学》(见亚里士多德)
《诗学》(见亚里士多德)
"Peri Poietikes"
Shlxue，，.刁二超二\\(尸‘r公Po玄e亡葱存召‘见亚里士“
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条