1) China drama portrait
中国戏曲人物画
2) Opera-themed Chinese Paintings
戏曲题材中国画
3) Chinese figure painting
中国人物画
1.
The realistic thought on the development of Chinese figure painting in 17years since PRC s foundation;
建国后17年中国人物画发展的现实思考
2.
Enlightenment and artistic function of Chinese figure painting;
兴成教化与中国人物画的功能
3.
This dissertation tries to analyse from the angle of the national aesthetic consciousness from the development of the Chinese figure painting.
本论文试从中国人物画的发展看民族审美意识的角度进行论述。
4) Chinese drama
中国戏曲
1.
And Chinese dramas bring Brecht to his brilliance in his literature wiritings.
布莱希特的创作深受中国文学影响,中国哲学推动着布莱希特的创作灵感,中国戏曲成就布莱希特的创作辉煌。
2.
The comprehensive methods used in Chinese drama are in accordance to the Chinese aesthetic thinking;its enjoyable feature are formed in the long process of its development;its procedures is the result of the filtering of other art and culture element.
关于中国戏曲表演体系的艺术特征,专家学者有不同的见解。
3.
Chinese drama is a kind of stage art for explaining poetic imagery,which can condense boundless and rich lives into a limited stage image.
论述了写意性的美学原则贯穿于中国传统戏曲始终,使中国戏曲跨上了艺术美的高度,中国传统戏曲也使写意这种艺术风格得到了淋漓尽致的展现。
5) Chinese traditional opera
中国戏曲
1.
Chinese Traditional Opera and Haining——On Wang Guowei s Contribution to the Opera Theory and Its Meaning;
中国戏曲与海宁——兼论王国维对戏剧理论的贡献及意义
2.
The Chinese traditional opera can be dated back to as early as the Nan Song Dynasty.
中国戏曲最早出现在南宋末年,本文以《牡丹亭》为例,分析了它在中国戏剧史上的地位——它用情来战胜封建礼教;它在中国戏曲史、文学史上所产生的影响——它不但影响了戏剧本身的发展,还影响了其他体裁文学的发展。
3.
All of the exist or development of the Chinese traditional operas had the process of impart and inherit.
中国戏曲的存在或发展,都必然经历“传承”这样一个过程。
6) Chinese Opera
中国戏曲
1.
Identical Image,Different Culture——A Comparasion on Performance Mode of Ghost Between Chinese Opera and Western Drama;
同类形象异样情——中国戏曲与西方戏剧中的鬼魂形象表现模式之比较
2.
Mei-Qi combination" and the artistry-oriented tendency of Chinese opera;
“梅齐合壁”与中国戏曲的技艺化倾向
3.
Chinese opera which is the treasure of Chinese traditional culture, greatly enriches the world culture.
中国戏曲是中华传统文化的瑰宝,它大大地丰富了世界文化的宝库,在当前文化处在全球化语境的形势下,戏曲能否适应这种新的形势,在保持其优秀传统的前提下进行语境置换,以图与国际接轨,同时能适应当代多方面观众的审美趣味,这是个值得讨论的问题。
补充资料：粉彩戏曲人物烟壶(清乾隆)
这一时期的作品大量被仿造，但效果明显不及前朝。此件作品疑为后人仿造。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条