1.
Enlightenment from the Technique of Chinese Line Drawing in Chinese Figure Painting to Fashionable Dress Painting;
中国人物画线描技法对时装画的启迪
2.
The Teaching and Reference of Art Lan guage in Chinese Figure Panitings
中国人物画艺术语言的转化与教学
3.
Talk about the Creations of Chineses Figure Painting from Gu Kaizhi s Perspective of Form and Verve;
从顾恺之的形神观谈中国人物画创作
4.
On the National Aesthetic Consciousness from the Development of the Chinese Figure Painting;
从中国人物画的发展看民族审美意识
5.
The realistic thought on the development of Chinese figure painting in 17years since PRC s foundation;
建国后17年中国人物画发展的现实思考
6.
Modeling Evolution of Modern Chinese Painting Portraits
近现代中国画创作中人物画的造型演变
7.
Talking about "Emotion" in China in the Role of Ink Figure Painting;
浅谈“情感”在中国水墨人物画中的作用
8.
On the Emotional Articulation of "Lines" in Traditional Chinese Portraits;
论中国传统人物画中“线”的情感性表述
9.
The Evolution of Characters' Sprits in Chinese Realistic Paintings
中国写实油画中人物精神风貌的演变
10.
Historical Evolution of " Vivid Touch" of Ancient China Figure Painting
中国古代人物画“传神”说的历史演进
11.
On Reasons Why the Chinese Freehand Figure Painting Changed in the 20~(th)Century;
20世纪中国意笔人物画变革的动因
12.
Disscue of Chinese New Modern Ink and Wash Painting Kind: Not Bone Portrait Painting
试论中国现代水墨新类—没骨人物画
13.
Chinese brush painting can be classified into three main categories: landscape painting, bird and flower painting, and figure painting.
国画分为三大类：风景画、花鸟画和人物画。
14.
Investigation Report on the Portraits in the Ming and Qing Dynasties in Seven Museums
对中国七个博物馆(院)明清人物画考察报告
15.
Development and Changing Process of the Sculptuing Concept in Chinese Inkwash Portraiture
简论中国水墨人物画中造型观念的发展与变化
16.
Learning from Western paintings, Xu also incorporated his knowledge of human anatomy and modeling in his figure paintings.
徐悲鸿吸收西画中重视人体解剖、造型精确的特点，用于对中国画人物形象的刻画。
17.
Past & Future:Figure Painting Studio in China Center Academy of Arts
回顾与前瞻——试述中央美术学院国画系水墨人物画室
18.
The king is represented as a villain in the play.
在这出剧中把国王刻画成一个反面人物.