1) Court Yuefu
宫廷乐府
2) palace music
宫廷音乐
1.
Review on research of palace music in Weijin and South and North Dynasties;
关于魏晋南北朝宫廷音乐的研究成果综述
2.
The big string play is called "the live fossil" of the Chinese drama , has already been lost Tang Songda qu, the palace music, the primitive plays, the ancient times performance form and so on which have already been lost were retaining in this kind of drama.
大弦戏堪称中国戏曲的“活化石”，早已失传了的唐宋大曲、宫廷音乐、原始剧目、古代的表演形式等，在该剧种中还原汁原味地保留着。
3.
The writers making new musics who looked liangwudi as key figure,including actresses、scholar、clergy,not only made new WuSheng song,but also reformed XiQu,They made jiangnannong and shangyunle,which shaped the plentiful music sight in the Liang Dynasty,permeated royal aesthetic interest,embodied remarkable new reform idea,and reflected the big force about palace music pushing YueFu development.
以梁武帝萧衍为核心,包括萧氏父子、宫廷女伎、文人、僧侣等在内的新声作者不仅为吴声填制新词,更大力改造后起的西曲,制作了《江南乐》《上云乐》等新西曲,形成萧梁宫廷音乐的丰富景观,并在其中渗透了宫廷审美趣味,体现出显著的新变意识,由此反映出宫廷音乐文化对乐府发展的较大的推动作用。
3) royal Yuewu
宫廷乐舞
1.
The royal Yuewu (a sort of Royal etiquettes with music, dance and others appreciated by the royal members, close officials and diplomats from foreign countries) is an important component of the ancient Chinese music and dance.
宫廷乐舞是中国古代乐舞的重要组成部分。
5) royal court musical song
宫廷乐歌
1.
Sacredness, truthfulness and people nature are the remarkable features of the royal court musical songs in "The Book of Songs" that are different from those of the later royal court literature.
神圣性、真实性、人民性，是《诗经》宫廷乐歌区别于后世宫廷文学的几个显 著特性。
6) Royal refined music
宫廷雅乐
补充资料：梅花引 中州乐府案此下中州乐府原有梅花引
【诗文】：
蒿火目。藜羹腹。书生宁有封侯骨。长须奴。下泽车。艰关险阻，谁教涉畏途。半生落漠长安道。一事无成双鬓老。南辕胡。北辕吴。功名富贵，情知不可图。槐安梦。鼓笛弄。驰骤百年尘一哄。陶渊明。张季鹰。一杯浊酒，焉知身後名。有溪可渔林可缴。须信在家贫也乐。熊门春。＊江云。几时作个，山间林下人。
【注释】：
【出处】：
蒿火目。藜羹腹。书生宁有封侯骨。长须奴。下泽车。艰关险阻，谁教涉畏途。半生落漠长安道。一事无成双鬓老。南辕胡。北辕吴。功名富贵，情知不可图。槐安梦。鼓笛弄。驰骤百年尘一哄。陶渊明。张季鹰。一杯浊酒，焉知身後名。有溪可渔林可缴。须信在家贫也乐。熊门春。＊江云。几时作个，山间林下人。
【注释】：
【出处】：
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条