Pinghua,storytelling in a local dialect and Tanci,storytelling to the accompaniment of stringed instruments are two different genres of performing arts;Suzhou Pinghua and Suzhou Tanci are the titles of two local operas in Suzhou dialect.

This paper uncovers mainstream discourse and critical discourse s continuation and disintegration on the attitude to language and its reason, and holds that clarifying the different perspectives is a necessary precondition of knowing language and a better interpretation of their relationship.

Yet the regular metrical feet is the end rhyme,which make Liu Xie s critical discourse aesthetic melody and natural rhyme because he used a rhyme according to the meaning.

Starting with the popularization of English in the age of globalization and its impact on Chinese critical discourse, the essay puts forward some corresponding strategies: confronting the challenge of globalization and mastering the English language, by menas of which, putting forward Chinese critical strategies in communicating with Western scholarship in an attempt to construct Chinese.

A Probe into the Features of the Artistic Form of Yangzhou Storytelling via Water Margin by the Wang School;

All Men Are Brothers under the Form of Talking and Singing in the Qing Dynasty——Take the example of Zidishu and Yangzhou storytelling;