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1)  dance of fete
祭神祭祖乐舞辞
2)  songs in memory of ancestors
祭祖乐歌
3)  Confucian Sacrifice Dance and Music
祭孔乐舞
4)  sacrifice rites
祭祀乐舞
1.
As the embodiment of national ceremony system, the sacrifice rites of the Han Dynasty reflected the process of influence of Confucianism on the dominant thought of the Han Dynasty.
作为国家礼乐思想的体现者,汉代国家祭祀乐舞可以反映儒学对汉统治思想影响的进程。
5)  sacrificial music
祭神乐
1.
While Qu Yuan inherited and developed the artistic achievements of Chu Ci, he successfully renovated some dramatic factors in the sacrificial music so that Chu Ci kept some distance from the magic, and also far away from being mature, but it moved towards the authentic Confucian culture centered around poetry.
中国最早的戏剧因素萌芽于楚辞《九歌》等祭神乐中,屈原在继承并发展了楚辞的艺术成就的同时,成功地改造了楚辞祭神乐中的戏剧因素,使得楚辞远离巫术,远离了向成熟戏剧发展的道路,向着以诗文为正宗的儒文化靠拢。
6)  ancestor worship
祭祖
1.
The mid-July ancestor worship is one of the traditional Chinese customs.
中元祭祖是中国民间的传统习俗之一。
2.
The ancient people usually played the musical instruments to support the ceremonial of praying for rain as well as ancestor worship in the Shang Dynasty (1600-1046 B.
商周时期的求雨和祭祖仪式,常用乐器演奏来助祭,乐器演奏成为信仰与行为之间的媒介。
3.
From that point, we may conclude that ancestor worship is an universal folk worship.
祭祖民俗是中华文化的重要组成部分,它产生于农耕社会,延续于现代社会,盛行于大江南北。
补充资料:祭侯辞
【诗文】:
惟若宁侯。毋或若女不宁侯。
不属于王所。故抗而射女。
强饮强食。诒尔曾孙。
诸侯百福。


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