1.
The Idea of “Conformity to Yin and Yang” Embodied in the Sacrifice Rites of the Han Dynasty;
汉代祭祀乐舞体现的“顺阴阳”思想
2.
Fu Xi sacrificial offering dancing to music--History of the evolution of splint dance and research of the modern culture
伏羲祭祀乐舞——夹板舞的历史演变及现代文化价值研究
3.
A Tentative Analysis of the Relationship between Music and Dance in Sorceress Jumping on Handle of the Big Dipper, a Sacrificial Sorcerous Dance of She Nationality;
畲族祭祀巫舞《奶娘踩罡》音乐与舞蹈的关系初探
4.
Zhuanxu named this music and dance "Chengyun"and offered it to the God in Heaven.
颛顼把这个乐舞叫做《承云》，用来祭祀天帝。
5.
Musical instruments for the sacrifice ceremony are kept in the southern side hall, the Musical Instrument Storehouse( Yue Qi Ku).
南殿叫“乐器库”，是存放祭祀所用乐器和乐舞生服的地方。
6.
On the Heritage and Cultural Connotations of the Ceremony Music--Qinghai HuangNan Tibetan Buddhism Religion Sacrificial Offering Ceremony Kiang Dancing with Music in Vestigation
青海黄南藏传佛教宗教祭祀仪式羌姆乐舞音乐考察
7.
The Influence of the Early Chinese Religion Rites and their Companying Music and Dance on the Formation of Traditional Operas;
中国早期宗教祭祀及其乐舞对于戏曲形成的影响
8.
Explore Primitive Dancing through Three Chinese Characters "巫、舞、雩"
从“巫、舞、雩”解说远古祭祀活动中的舞蹈
9.
Composing music and dance was always related to offering sacrifices to Heaven, like "offered it to the God in Heaven", and "to praise the God".
作乐都和祭祀有关联，如"祭上帝"、"康帝德"。
10.
From these legends, one can guess that this dance was originally a totem dance which the clan of Huangdi had employed to pay tribute to their totem of clouds
根据这些记载，可以设想这一乐舞原是黄帝族祭祀云图腾的一种图腾舞，
11.
The Zhou Dynasty was the first dynasty to lay down rules of "rites"(sacrificial ceremonies, court protocol, etc.) and "music"(music and dancing which accompanied ceremony).
周代是最早对"礼"(祭祀、朝食等仪式)和"乐"(伴随"礼"进行的乐舞)作出规定的时代．
12.
"Munao Carnival"of the Jingpo ethnic group is a famous sacrificing ceremony.
景颇族著名的节日祭祀歌舞"目脑纵"，
13.
Musicological Analysis of Folk Sacrificial Music of Dong nationality of Guangxi;
广西侗族民间祭祀音乐之音乐学分析
14.
The Duke of Zhou gathered the six dances and amended them into a whole set that served as the ritual system of the country and was widely used in sacrificial and festive occasions.
周公将这六部乐舞加以集中、整理、规范成一个整体，作为国家的礼制，用于祭祀、庆典等活动。
15.
He also drew specific rules in their performing scale, subject of the sacrifice, clothes and props, the music and their tones, the status of dancers, and the performing occasions.
并对它们的演出仪制、祭祀对象、服饰道具、乐歌宫调和舞者身份、演出场合都作了明确的规定。
16.
A Discussion of Zheng State Bronze Ritual Vessels and Musical Instruments,Sacrificial Pits and other Problems;
郑国青铜礼乐器祭祀坑相关问题讨论
17.
About Percussion Instrument in the Zhou-dynasty Sacrifice;
论节奏乐器在周朝祭祀活动中的作用
18.
The Conspectus of Mulao Minority s Yifan Festival and Its Sacred Music;
仫佬族“依饭节”及其祭祀音乐概论