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1)  modern comedy
现代喜剧
1.
The paper comparatively investigates the spirit latent quality and culture mental similarities and differences between tradition comedy and modern comedy,by proceeding with quality dissonance from comedy constitudion,and suggests that the loss of the rational "Noum" during the producing course of the sense of main comedy is the spirit divide from modern comedy to tradition comedy.
文章从喜剧情景构成的不谐调性入手 ,比较考察了传统喜剧和现代喜剧的精神潜质与文化心理的异同 ,认为主体的喜剧感生成过程中理性之“常”的缺失 ,是现代喜剧区别于传统喜剧的精神分水岭。
2)  postmodern comedy
后现代喜剧
3)  Chinese modern comedies
中国现代喜剧
1.
Chinese modern comedies represented its anti-feudalism both by directly criticizing feudal traditions and by developing its revolutionary ideology.
中国现代喜剧的反封建意义,不仅体现在它对于封建主义传统的直接批判上,而且也体现在其自身新思想的建设中。
4)  Modern Poetic Drama
现代诗剧
1.
The Lonely Survival Condition and Its Construction Elements of Chinese Modern Poetic Drama;
中国现代诗剧孤寂的生存状态及其构因
5)  modern drama
现代话剧
6)  modern drama
现代戏剧
1.
Zhang was the first director of Chinese oral drama performance, He rejected the "new drama" model, namely to write and performe simultaneously, and adopted director system prevailing in Euro-American modern drama stages, after he.
张彭春是中国话剧创作的第一人,他于1915年创作的三幕话剧《外侮》,比现代文学史上认定的中国第一部话剧作品提前了四年;张彭春是中国话剧的第一任导演,自从他1916年回国加入南开新剧团后,便实行欧美现代戏剧流行的导演制;在中外戏剧双向交流方面做出杰出贡献的,张彭春也是第一人。
2.
In the revolution of May 4th drama, Mao Dun had a warm research and introduction to Bernard Shaw, a great dramatist in Britain, which provides him with use for reference for the construction of modern drama of China, and also affects his later writings.
在“五四”戏剧革命的浪潮中 ,茅盾以高度热情投入到对英国伟大戏剧家萧伯纳的研究和介绍中 ,为中国现代戏剧建设提供了有益借鉴 ,同时也影响了他以后的文学创作。
补充资料:悲喜剧
戏剧类别之一,兼有悲剧和喜剧的因素。一般具有圆满的结局。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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