1.
Humanist Language of Modern Dramas of China;
试论中国现代话剧中的人道主义话语
2.
The Modern "Little Theatre" and The Ming Dynasty "Jiale" in the Perspective of Mass Media;
传播学视野下的现代话剧“小剧场”与明代“家乐”
3.
A Semiotic View of the Translation of Modern Chinese Drama;
从符号学角度看中国现代话剧的翻译
4.
Contrast and Absorb:relationship between modern drama and traditional opera;
参照与借鉴:现代话剧与戏曲的关系
5.
LI Jian wu is a unique figure in the history of China? s modern drama.
在中国现代话剧史上,李健吾是一个特异的存在。
6.
On Influence of Western Romanticism on Chinese Modern Drama;
论西方浪漫主义思潮对中国现代话剧创作的影响
7.
The Symbol and Reflection of Human Life form --Yang Saos Distinctive Contributions to Modern Chinese Drama;
生命形式的符号与投影———杨骚对中国现代话剧的独特贡献
8.
The tragic archetype of myth evolves into the contemporary tragedy.
神话中的悲剧原型演变为现代悲剧。
9.
Early Modern Drama: The Prologue to the Modernization of Chinese Theatre;
早期话剧:中国戏剧现代转型的序幕
10.
The Modernity Problem in the Process of China Stage Play Development during the 20th Century;
20世纪中国话剧发展中的现代性问题
11.
Between Tradition and Modern --An Explanation to Cao Yu s Dramatic Speech;
传统与现代之间——曹禺戏剧话语的一种阐释
12.
On the Criticism Text regarding the Modern Chinese Historical Drama in the Twentieth Century;
论二十世纪中国现代历史剧的批评话语
13.
The Model of Dualism Opposite and the Pursuit for Modernity of China Drama in the Past Century;
二元对立话语模式与百年中国戏剧的现代性
14.
On Language Transformation and the Birth of Modern Drama in the Formation Period of Modern Literature
试论现代文学发生期的语言嬗变与话剧创生
15.
Spoken drama in Taiwan took its turn from traditional realism to modernism in late1960 s and in1970 s.
台湾话剧从写实传统向现代主义转型是在1960年代后半期及70年代。
16.
Both realism and expressionism have brought the contemporary drama and the con- temporary theater a lot of excitement and stimulation..
现实主义和表现主义都为当代话剧和当代戏剧带来诸多生机和激发。
17.
As there were no theaters there yet, she bought all the well-known plays by modern Chinese playwrights that she could find and read them over carefully.
这儿的地方戏院不演话剧，她就把现代本国剧作家的名剧尽量买来细读。
18.
FAMILY:TRAGEDY FOR FEMALES --Tragicism in Modern Feminist Drama;
家:女性的悲剧——现代女性戏剧之悲剧论