1.
Second Skin: a World of Postmodern Comic Nightmare;
《第二层皮》:一个后现代喜剧的梦魇世界
2.
The Lost Rational Laugh A Brief discussion on Modern Comedy Spirit;
失却了理性的笑——现代喜剧精神浅论
3.
The Cherry Orchard is a new type of Chekhovian modern comedy.
《樱桃园》是一部“契诃夫式”的新型现代喜剧。
4.
On Comedic Meaning of A Streetcar Named Desire by Tennessee Williams;
论田纳西·威廉斯《欲望号街车》的现代喜剧色彩
5.
On Subjectivism in the Ideological History od Modern Chinese Comedy;
论中国现代喜剧思想史上的主观论取向
6.
On the Characteristics and Aestheticism of the Modern Customs Comedy;
论现代风俗喜剧的构剧特色和美学风范
7.
The Comedy Spirit Feature and Artistic Manifestation in the Eighties;
八十年代喜剧精神的特质和艺术表现
8.
The Historical Significance of Modern Ideological Transformation of Chinese Comedy;
论中国喜剧观念现代转型的历史意义
9.
The Tragedy and Comic of Modern Society --A New commentary on The Hairy;
现代社会的悲喜剧——《毛猿》新论
10.
On the Post Modernity Characteristics of the Sitcom My Own Swordsman
论情景喜剧《武林外传》的后现代特色
11.
A Discussion of the Achievements and Shortcomings of Satirical Poetry in the Kuomintang-ruled Districts;
人民性 喜剧性 现代性——国统区讽刺诗歌得失谈
12.
The Embarrassments of Nora after Her Departure-Modern Love Comedies as Viewed from the Perspective of Both Sexes;
出走“娜拉”的尴尬——现代爱情喜剧的性别透视
13.
black comedy play,etc that presents the unpleasant or tragic realities of life in a comic way
黑色喜剧（以喜剧形式表现不愉快的或悲剧的人生现实的戏剧等）.
14.
The ups and downs Nora experiences after leaving home constitute the main themes and characteristics of modern Chinese love comedies.
娜拉”出走后的沉浮遭际,构成了中国现代爱情喜剧的主要题材特色。
15.
An Artistic Vision of Anxiety and Dilemma in the Present-day Survival;
现代生存焦虑与尴尬的艺术视像——论钟求是小说中悲怆的喜剧精神
16.
Tragi-comedy: from Conventional to Modern:Reflections on Sean O Casey s Dublin Trilogy;
悲喜剧:由传统走向现代——从肖恩·奥凯西的“都柏林三部曲”谈起
17.
manifesting both tragic and comic aspects.
显现出悲剧和喜剧方面的特征的。
18.
This is a musical set in modern times, but based on Shakespeare's play Romeo and Juliet.
这是一首现代音乐喜剧，不过是以莎士比亚的戏剧《罗米欧与朱丽叶为基础的。