1) the song of mountain forest
《山林之歌》
2) delight in seclusion
山林之乐
1.
The rich implication of his prose,"Fengle Pavilion Chronicle" and "Zuiweng Pavilion Chronicle" written when he took his post as governor of Chuzhou,shows his unique spiritual world in which his delight in seclusion was shown superficially,his happy life with people was expressed secondarily,but his calm and composed mentality to his sufferi.
即:表层抒写作者的山林之乐;次层抒写作者与民同乐,并自我肯定在滁州建立的政绩;深层则表现出作者以从容、淡定的心态坦然面对人生遭际,体现出一种积极有为、乐观旷达的精神。
3) Reclusion in Mountains
山林之隐
4) the song of Gada Meiren
嘎达梅林之歌
1.
Making a breakthrough the single visual angle of literature to analyze the origin、forming course、social and historical environment、thought and contents、cultural connotation、artistic character、influence and function of the song of Gada Meiren fron the view of culture and art is a vital matter of immediate urgency.
嘎达梅林之歌是科尔沁民歌的代表作品。
5) Research of the Song of Gada Meiren
嘎达梅林之歌研究
6) Folk song
山歌
1.
Exploration of Guizhou Tun Pu Folk Songs——in Comparison with Buyi national minority folk songs;
贵州屯堡山歌探析——与布依族山歌比较
2.
Artistic generality of paper-cut and folk song in the north Shaanxi;
陕北剪纸与山歌的艺术共性
3.
The folk song of Huayao,a special branch of Yao Minority(one of the fifty-five minorities in China),enjoys not only great significance in Chinese history and art but also special function in the life of Huayao people.
花瑶山歌不但具有极高的历史价值和艺术价值,而且在花瑶生活中具有独特的实用功能。
补充资料：《山林之歌》
| 《山林之歌》 中国交响组曲 。 马思聪于1953～1954年创作 。作品以云南山区民歌为素材，溶入了作者对所经历山林生活的深刻体验和种种感受。这部交响组曲为标题性音乐 ， 有5个乐章。第一乐章“山林的呼唤”为行板，单三部曲式，第一部分主题为双簧管演奏的抒情性旋律，描写幽静的山林自然奇景 ；中部开始，由低音弦乐、圆号和小提琴从不同的音乐形象侧面描写山鬼的出现。第二乐章“过山”为快板，行进式的诙谐曲，轻快活泼的节奏和色彩丰富多变的配器，描绘山民们在山间小路行进的景象。第三乐章“恋歌”为行板，奏鸣曲式，大提琴独奏如歌的主题音调，小提琴演奏第二主题应和；再现部改由圆号和中提琴演奏第一主题，大提琴独奏第二主题，情绪忧郁而孤寂。第四乐章“舞曲”为活泼的快板，自由的回旋曲式 ， 描写载歌载舞的集体聚会情景 。 第五乐章“夜”为行板，单三部曲式，英国管独奏再现第一乐章主部主题，以弦乐柔情的新主题应和，“山鬼”的呼唤性动机一再出现并悠悠远去。 |
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条