1) theory of "literary self-consciousness"
"文学的自觉"说
1.
In his lect ures "Style and Essays in the Wei and Jin Dynasties and their relationship with Herbs and Wine" Lu introduced the theory of "literary self-consciousness" which was thought to have been bo.
他在《魏晋风度及文章与药及酒之关系》中提出建安“文学的自觉”说 ,很有可能借鉴了日本汉学家铃木虎雄的观点。
3) view of "literary self-awakening time"
"文学的自觉时代"说
4) literary consciousness
文学的自觉
1.
Therefore, it does not agree that academic circles consider Dianlun Lunwen as "the expression of literary consciousness" and think that "literary consciousness" is different with "art for art s sake"; and it considers that "literary consciousness" is "art for art s sake" in the essence and that Dianlun Lunwen is " the expression of human consciousness" ; besides, rais.
将曹丕《典论·论文》论述的问题作为整体理解,并将它放在具体的时代文化背景中来认识,不同意学界将《典论·论文》看作“文学的自觉性的表现”的观点,也不同意将“文学的自觉”与“为艺术而艺术”作不同质的理解,认为“文学的自觉”在本质上就是“为艺术而艺术”,《典论·论文》是“人的自觉性的表现”,同时也为“文学的自觉”揭开了序幕。
2.
So the argument of "the Wei and Jin dynasties are of the age of literary consciousness" lacks a theoretical support.
文学本身就是一种"自觉"的言说,所谓"魏晋为中国文学的自觉时代",缺乏学理根据。
补充资料：不可说不可说
【不可说不可说】
谓从不可说、不可说为一不可说转，不可说转、不可说转为一不可说不可说也。
谓从不可说、不可说为一不可说转，不可说转、不可说转为一不可说不可说也。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条