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1)  Xuanhe huapu
宣和画谱
1.
The author makes a thorough investigation of Xuanhe huapu to elicit the collecting criteria andaesthetic sense of Emperor Huizong of the Song dynasty, and examines what works he favoured by paintersfrom different periods and backgrounds, as well as his evaluative comments on different genres of painting.
本文通过对《宣和画谱》进行细致的梳理以探求宋徽宗的收藏标准和审美趣味,排列出宋徽宗对不同时期、不同背景的画家的喜好以及对不同类型绘画作品的品评。
2)  Xuanhe Calligraphic Florilegium
《宣和书谱》
1.
The dissertation studied the Xuanhe Calligraphic Florilegium (XCF), which was compiled officially in Bei-Song Dynasty, and consisted of the basilica-owned calligraphic works and the related calligraphers biographies when the emperor was Huizong.
本文是以北宋官方编撰的《宣和书谱》为研究对象,该书是著录徽宗时期御府所藏书法作品及相关书家传记的著作。
3)  Xuan-he
宣和
1.
It is now generally believed that Xiwen emerged in Wenzhou District i n the reign of Xuan-he ruled by Hui Zong the Emperor around 1127A.
一般认为,戏文产生于宋徽宗宣和之后、南渡之际的温州地区。
4)  Poster [英]['pəʊstə(r)]  [美]['postɚ]
宣传画
1.
The poster during the Cultural Revolution was the peculiar offspring of political policy and class struggle at that time, which owned very strong political character and pertinence.
文革时期宣传画是当时政治宣传方针、阶级斗争的特有产物,有很强的政策性和针对性,有着重要的学术和艺术地位。
5)  Calligraphy and painting publicity
书画宣传
6)  caricature publicity
漫画宣传
补充资料:宣上人远寄和礼部王侍郎放榜后诗,因而继和
【诗文】:
礼闱新榜动长安,九陌人人走马看。一日声名遍天下,
满城桃李属春官。自吟白雪诠词赋,指示青云借羽翰。
借问至公谁印可,支郎天眼定中观。



【注释】:



【出处】:
全唐诗:卷359-34
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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