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1)  Xuanhe seals
宣和印
2)  Xuan-he
宣和
1.
It is now generally believed that Xiwen emerged in Wenzhou District i n the reign of Xuan-he ruled by Hui Zong the Emperor around 1127A.
一般认为,戏文产生于宋徽宗宣和之后、南渡之际的温州地区。
3)  Xuanhe huapu
宣和画谱
1.
The author makes a thorough investigation of Xuanhe huapu to elicit the collecting criteria andaesthetic sense of Emperor Huizong of the Song dynasty, and examines what works he favoured by paintersfrom different periods and backgrounds, as well as his evaluative comments on different genres of painting.
本文通过对《宣和画谱》进行细致的梳理以探求宋徽宗的收藏标准和审美趣味,排列出宋徽宗对不同时期、不同背景的画家的喜好以及对不同类型绘画作品的品评。
4)  Xuanhe period version
宣和本
5)  lncidents of the Age of Xuanhe
宣和遗事
6)  xuan Hezhuang
宣和装
1.
It has been well over 1,500 years since picture-mounting appeared in China, which creates a famous style called " songxuan Hezhuang".
书画装裱在中国已有一千五百多年的历史,并创造了至今不衰的"宋宣和装"品式。
补充资料:宣和博古图
宣和博古图  简称《博古图》。宋徽宗敕撰,王黼编纂。三十卷。大观初年(1107)开始编纂,成于宣和五年(1123)之后。著录当时皇室在宣和殿所藏的自商至唐的铜器839件。集中了宋代所藏青铜器的精华。分为鼎、尊、罍、彝、舟、卣、瓶、壶、爵、觯、敦、簋、簠、鬲、鍑及盘、匜、钟磬錞于、杂器、镜鉴等,凡二十类。每类有总说,每器皆摹绘图像,勾勒铭文,并记录器的尺寸、容量、重量等,并附考证。所绘图形较精,且注有比例(明代缩刻本始删去比例),考证颇为精审,每据实物订正《三礼图》之失,所定器名多沿用至今。
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