1) false appearance of aesthetic
审美假象
1.
The false appearance of aesthetic includes the meaning of false appearance of aesthetic; the reason of false appearance becoming the target of aesthetic, the characteristic of false appearance of aesthetic.
审美假象包括三个方面,即审美假象含义,假象成为审美对象原因,审美假象的特征。
2) On False Appearance of Aesthetic of Schiller
论席勒审美假象说
3) aesthetic hypothesis
审美假说
4) aesthetic imagination
审美想象
1.
This article, based on the aesthetic apperceive, aesthetic imagination and aesthetic creativity, argues that the beauties of chemistry are characterized by conciseness, harmony and novelty.
化学科学美是指客观物质世界在化学运动过程中产生的美的属性,文章从化学科学审美感知、审美想象、审美创新三个方面阐述了化学科学美的主要特征是简明、和谐、新奇。
2.
As the most free creatively mental representation, aesthetic imagination exists in all aspects of human being s aesthetic activity, especially in the fields of art and science.
审美想象作为一种最具自由品格的创造性心理形式,广泛存在于人类的一切审美活动之中,尤其是在艺术和科学领域。
3.
Tales of A Lonely Studio acquire more readers because of its aesthetic imagination,On the coutrary , Sketches of Yuewei Humble Cottage is not as good as the former because of its excess rational care.
但是两者的审美想象和理性观照之差异较为突出,《聊斋志异》用审美想象征服了读者,而《阅微草堂笔记》却因过多的理性观照稍逊风骚。
5) aesthetic object
审美对象
1.
The essence of all aesthetic activities lies in the issue of aesthetic liberty,of which the liberty of aesthetic object is one of the significant aspects.
审美自由问题是整个审美活动本质之所在,而审美对象的自由问题是其中一个重要的方面。
2.
Mikel Dufrenne held that the aesthetic object is a pure object of perception.
杜夫海纳认为审美对象是纯粹知觉对象。
3.
In Ingarden s opinion,the aesthetic experience begins with the cognition of the real object,and the aesthetic object is the result of the activities of the aesthetic experience.
英伽登认为审美经验活动开始于对实在事物的认识,审美对象是审美经验的产物,但是审美对象不同于实在事物,审美对象形成后也不局限于实在事物。
6) aesthetic images
审美意象
1.
On female body images deconstruction of aesthetic images in the consumption era;
论消费时代女性身体图像对审美意象的消解
2.
To well convey emotions and extend aesthetics in news broadcasting, it is vital for the anchorperson to have a thorough understanding and appropriate interpretation of the aesthetic images and convey the images to.
新闻播音在向受众传递信息的同时,更要注重审美空间的延伸与拓展,其中,对播音中审美意象的把握尤为重要。
3.
The thesis analyzes and explains symbolic technique of JI Kang s Siyan poems in the begining,which include expressional characteristics of aesthetic images of his Siyan poems from conceptual levels and symbolic images of his Siyan poems from artistic levels.
以嵇康四言诗审美意象的表现特征——象征性作为分析和阐释嵇康四言诗象征艺术问题的逻辑出发点。
补充资料：假象
| 假象 false appearance 以否定的形式表现本质的现象。本质是一事物最根本的特性和关系的总和。在不同的客观条件下，事物本质的表现形式是不同的。一般说来，事物的本质多以肯定形式即一般现象表现出来。但由于事物的内在矛盾及其所处条件的复杂性，本质有时也以否定的、歪曲的形式即假象表现出来。假象客观地存在于自然界和社会生活中。假象的客观性根源于事物的本质自身以及复杂的外部条件。假象也是以事物的本质为根据，由本质所产生、决定的，是本质自身的规定和环节。假象与本质的对立是本质与现象对立统一关系的特殊形式。假象和一般现象一样，是认识事物本质的必要环节，人们只有在掌握了大量现象，其中包括事物假象的基础上，才能从正反两方面完整地、深刻地把握事物的本质。 |
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条