1) Reunion
[英][ri:'ju:niən] [美][ri'junjən]
团圆
1.
On the Art of Text Transforming From The Reunion To Heroical Youth
从《团圆》到《英雄儿女》看文本转换艺术
2.
The article tries to analyze the first and the third works emphasizing particularly on the differences of love ideality,translation of sadness and happiness before the reunion end while together with both virtually,similarities and differences of the shocking dream .
《西厢记》——《牡丹亭》——《长生殿》,是古典戏曲写“情”三部曲,历来将前两者或后两者进行观照的较多,本文尝试对前后两者加以文本层面上的比较,侧重从写情理想的差异、团圆结局之前的悲喜转化和实质上的悲喜交织、“惊梦”和“雨梦”的异同三大方面加以比照。
3.
After the perdition of the North Song Dynasty, the round image of the moon and its cultural meaning of reunion were emphasized.
在北宋灭亡的背景下,中秋月的“团圆”特征及其象征意义被凸显和强调。
2) Happy ending
团圆结局
1.
In the Romantic Novels about Talented Scholars and Beautiful Ladies in the Qing Dynasty,there was a general mode that the lovers would have a happy ending.
造成这种大团圆结局的原因是多方面的,其中,才子佳人小说诞生的人文地理环境是重要的因素之一。
2.
The happy ending novels about genius and beauty with both positive and negative effects on real life in the early Qing Dynasty is of great cultural significance in sociology, aesthetics, literary history, folk lore as well as anthropology.
清初才子佳人小说的大团圆结局,具有社会学、美学、文学史、民俗学与人类学等多层次的文化意义,不可简单抹煞或否定。
3) reunion
[英][ri:'ju:niən] [美][ri'junjən]
大团圆
1.
Abstrac This paper introduces the origin of Indian drama,explains the most important features of Indian classicism drama,that is: the reunion results of the dramas,strong estheticism and idealism,unique formality;it fanally analyzes the philosophical and religious reasons leading to the formation of the esthetic features.
本文介绍了印度戏剧的起源;论述了印度古典主义戏剧的三个重要的美学特征,即古典主义戏剧都采取了大团圆的结局,悲剧艺术被排除在戏剧创作之外;古典主义戏剧表现出了强烈的唯美主义、理想主义的审美趣味;古典主义戏剧具有独特的形式美。
2.
It is a unique phenomenon that Chinese ancient operas always end reunion.
大团圆结局是中国古代戏剧特有的一种现象。
3.
At the same time ,the conflicts of the drama are always settled as the model of reunion at the end.
悲情在中国古代戏剧作品主要表现为剧中主人公大多是社会结构和伦理道德体系中的弱者,同时戏剧冲突在戏剧的结尾处往往被处理为“大团圆”的模式。
4) happy ending
大团圆
1.
There exists universally a happy ending in opera novels after Song Dynasty.
宋以后的戏曲小说中,普遍存在着“大团圆”结局模式。
2.
Fictions about genius and beauty during Ming and Qing Dynasties are almost of happy endings with grading the candidates in the imperial examinations and getting marriage by order of the parents,but lack of the tragedy spirits.
明清时期的才子佳人小说几乎都是以科举及第、奉旨成婚的大团圆形式结局,缺乏悲剧精神。
5) happy reunion
大团圆
1.
The happy reunion shows that the Chinese were eager for wise emperors and upright officials,which is the form of plays of Chinese classical aesthetic characterised by such a traditional beauty appreciation,as is sorrowful but not sentimental,complained but not angry.
大团圆结局反映的是中国人对于开明天子和清官的企盼 ,同时也是中国古典美学哀而不伤 ,怨而不怒的传统审美心理的戏剧形式 ,中国古典悲剧的这一审美特性有明显的缺陷 ,然也有其传统文化的合理性。
6) grand union
大团圆
1.
"Grand union" is a kind of special phenomenon of literature in classic literature of our country, it is always found in Song dynasty’s drama and novel.
“大团圆”是我国古典文学特有的一种文学现象,它大量的出现在我国宋以后的戏曲小说中。
补充资料：喜团圆
【诗文】：
危楼静锁，窗中远岫，
门外垂杨。
珠帘不禁春风度，
解偷送馀香。
眠思梦想，不如双燕，
得到兰房。
别来只是，凭高泪眼，
感旧离肠。
【注释】：
【注释】：
【出处】：
危楼静锁，窗中远岫，
门外垂杨。
珠帘不禁春风度，
解偷送馀香。
眠思梦想，不如双燕，
得到兰房。
别来只是，凭高泪眼，
感旧离肠。
【注释】：
【注释】：
【出处】：
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条